be a buttonhole…

be a buttonhole…

being a buttonhole…

 

 

“I want to be famous in the way a pulley is famous,  

or a buttonhole, not because it did anything spectacular,  

but because it never forgot what it could do.”

 

Keep on doing what you can do.

 

quote from “Famous” by Naomi Shihab Nye (b1952)

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Copyright © Richard Carl Subber 2025 All rights reserved.

 

Book review:

Shakespeare: The World as Stage

The Bard was the lucky one…

by Bill Bryson

click here

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My first name was rain: A dreamery of poems with 53 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

Taking another look at Longfellow’s poetry…

Taking another look at Longfellow’s poetry…

Say “repine” a couple times…

 

 

I read lots of poetry—colonial, classic American, modern—and I don’t find much that I like.

I’m a bit puzzled by this. I think hard about what I like and dislike about poetry, especially my own poetry. I confess my sincere failure to discern anything meaningful in the kind of poetry I classify as “obscure,” you know, the wayward romp through disconnected words and disjoint images, and the wanton disregard of verb tense/pronoun antecedents/subject and verb relationships/sentence structure—I think you may have seen this kind of stuff:

 

“Sky falls cloud sheep bray at starry islands in my hoping

 are them my lost love I step around the dog poo….”

 

I just rapped that out. It doesn’t make me proud.

I’m trying to get to the point:

I’ve read a bit of Henry Wadsworth Longfellow (1807-1882). Longfellow was a lyric poet who tried his hand at free verse, although much of his work is constrained to the often stultifying shackle of line after line and page after page of rhyme. Longfellow wrote at length. I confess I can’t make myself keep turning the pages to read “Evangeline” and “The Song of Hiawatha.” I do understand that this fashion of poetry was written and enjoyed before the successive advents of radio, TV, Sony Walkman, the internet, and social media. I guess reading a poem for an hour or so was more doable in the 19th century.

Longfellow does offer something to me in his more bite-size poetry. He was a capable wordsmith and he dreamed out images and insights and perspectives that appeal to me, and even nudge my sometime muse to wakefulness.

 

In “Snow-Flakes” he placidly described a snowfall:

“Out of the bosom of the Air,

  …The troubled sky reveals

 The grief it feels.

 This is the poem of the air…”

 

In “The Rainy Day” he said something we all know:

“…Be still, sad heart! and cease repining;

 Behind the clouds is the sun still shining;

 Thy fate is the common fate of all,

 Into each life some rain must fall,

 Some days must be dark and dreary.”

 

Thus, in Longfellow, something of poetry.

Admit it, we don’t use “repine” often enough in our casual conversations.

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Book review. Copyright © Richard Carl Subber 2025 All rights reserved.

 

Book review: The Financier

Theodore Dreiser’s villain…

click here

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Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

American Poetry: The Nineteenth Century…book review

American Poetry: The Nineteenth Century…book review

there’s more than structure involved…

 

 

Book review:

American Poetry: The Nineteenth Century

 

Vols. 1 and 2

New York: The Library of America, 1993

Vol. 1 – 1,099 pages

Vol. 2 – 1,049 pages

 

What can I say?

In general, the poetry of bygone centuries is uninteresting to me.

The poets were convinced that structure was overwhelmingly important, or, perhaps, their readers were convinced that structure was overwhelmingly important, or, perhaps, both.

The word “relentless” comes to my mind. It’s difficult for me to read much of this work—silently or aloud—without bobbing my head, saying the emphasized syllables with increasing vigor and noise, and moving my body to match the all-too-obvious, often drum beat rhythms.

It seems to me that these poets think that the conjunction of selected words is of secondary or tertiary concern, whereas I believe it should be the overriding expression of the poetic arts.

The millions in the past disagreed. So be it.

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Book review. Copyright © Richard Carl Subber 2025 All rights reserved.

 

Forget about Buffy the Vampire Slayer

Dracula is a scary book, really…

by Bram Stoker

click here

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Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

Natural Life with No Parole…book review

Natural Life with No Parole…book review

writing ingenuous truth…

 

 

Book review:

Natural Life with No Parole

 

by Sarah Rossiter

Georgetown, KY: Finishing Line Press, 2016

 

Rossiter’s poetry is worth a second read.

I think her word choices and line breaks are a bit disorganized, but nevertheless coherent.

Natural Life with No Parole is about what she sees and hears and feels, with genuine verve and ingenuous truth about the reality of human emotions.

She finds it natural to say things like “…That’s all there was, it wasn’t much, but joy is like that.”

Let the flavor of that line wrap around your tongue.

 

Quoted line is from “Woman in a White Truck, Driving”

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Book review. Copyright © Richard Carl Subber 2025 All rights reserved.

 

Book review: The Snow Goose

…sensual drama, eminently poetic…

by Paul Gallico

click here

–

My first name was rain: A dreamery of poems with 53 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

“…surprise the hungry eye…”…John O’Donohue

“…surprise the hungry eye…”…John O’Donohue

get hungry…

 

 

From John O’Donohue (1956-2008), his poem “For the Artist at the Start of Day.”

O’Donohue invokes a morning that may

 

“…dwell uniquely

Between the heart and the light

 

To surprise the hungry eye…”

 

I try to let my eye be hungry

in the morning when I take my first walk…

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Copyright © Richard Carl Subber 2024 All rights reserved.

 

Movie review: Same Time, Next Year

all-American adultery, oh yeah…

click here

–

Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

The Collected Poems of Sara Teasdale…book review

The Collected Poems of Sara Teasdale…book review

Teasdale teases…

 

 

Book review:

The Collected Poems of Sara Teasdale

 

by Sara Teasdale (1884-1933)

New York: The Macmillan Co., 1937.

311 pages

 

Sara Teasdale wrote about 350 poems, and some of them are quite long.

She is literate—no doubt about that, there are plenty of classical allusions to the gods.

For my taste, there is no personality in her Collected Poems—she writes “about” stuff instead of illuminating stuff.

In 1918 she won a Pulitzer Prize for poetry—it must have been a lean year.

There are bright notes here and there:

 

“Ah, Love, there is no fleeing from thy might,

No lonely place where thou hast never trod,

No desert thou hast left uncarpeted.”

 

from “Sappho,” p. 109

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Book review. Copyright © Richard Carl Subber 2024 All rights reserved.

 

Book review: To Serve Them All My Days

by R. F. Delderfield

A beloved teacher,

you know this story…

click here

–
Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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