Movie review: “Ethan Frome”

Movie review: “Ethan Frome”

The wanting never ends…

 

 

Movie review:

“Ethan Frome” (1993)

 

Liam Neeson, Patricia Arquette, Joan Allen

Director: John Madden

1 hr 39 mins

Based on the novel, Ethan Frome (1911), by Edith Wharton.

 

The breaking of a heart can take so long…

I watched the movie, then I read the book, then I watched the movie again (and again), it’s easier than reading the book again, but I’m going to do that too.

I think the book and the movie are interchangeable. Knowing the ending doesn’t reduce the dreadful intensity of this story that gets ever more sad from beginning to end.

Ethan Frome poster from IMDB

The deeply human love story breaks through the arid shell of real life—oh, so briefly…Ethan (Neeson) wants more, Mattie (Arquette) wants more, the viewer wants more…

Every other character in the story seems to, well, not necessarily “want” less, but to be all too righteously satisfied with less.

Except for a brief whirl of a crowded dance scene, there are no smiles on the faces of any of the other characters who live dried up lives, and disdain the spark of love and life in Ethan and Mattie.

Doubtless, the town folk see a pitiless moral lesson in the damaged life of Ethan Frome and the love he must keep stuffed inside him.

I see a man and a woman who share forbidden love, but don’t know what to do about it, and grotesquely fail to snuff it out.

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Movie review. Copyright © Richard Carl Subber 2017 All rights reserved.

Above all: Poems of dawn and more with 73 free verse poems,
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Book review: The Sea Runners

…it informs, it does not soar…

by Ivan Doig

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Book review: Orphan Train

Book review: Orphan Train

Book review:

Orphan Train

 

Christina Baker Kline

New York: William Morrison, an imprint of HarperCollinsPublishing, 2014

278 pages

 

It’s difficult to read this book without feeling real ambivalence.

The first appeal of this book was the historical context: the so-called “orphan trains” that carried as many as 200,000 orphans and homeless kids from the East Coast to most of the states in the interior of the country during 1854-1929.

Orphan Train wikimedia

The short version is: well-meaning social workers and benefactors (the Children’s Aid Society of New York and others) took kids ages 6-18 off the streets and out of institutional settings, and transported them to other states where families almost literally grabbed the children off the trains and took them into their homes, for good or ill.

There are more than 2 million living descendants of the orphan train kids. Some of them can trace their family heritage to Alice Kearns Geoffroy Bernard, who took a train ride to Louisiana as a three-year-old orphan, raised a family there, and lived there for the rest of her life before she died on January 17, 2015.

Kline creates believable characters. Niamh Power, the Irish lass whose family fled Ireland in the early 20th century, is the hardiest of the hardy. One is tempted to say that her life of struggle, obstacle, and success is a fantasy of the novelist’s musing. Perhaps it’s more credible to suspect that Niamh’s trajectory is all too characteristic of many of the “orphan train” kids and the grownups who thought they were helping them and the grownups who didn’t think that….

Orphan Train museum WikimediaAnother character, Molly Ayer, the modern goth lassie who interacts with the nonagenarian Niamh, is a puzzlement. She’s a foil and an analog for Niamh—her story is a provocation in Orphan Train, it adds interest and it injects a diffusion of clarity. I assume that’s what Kline wanted.

This would be a more compelling story if it were a shorter compelling story. The point is clear: the child’s life was a succession of individually exceptional but dully repetitive episodes of joy, sadness, and degradation that, frankly, would kayo most kids, most people. Niamh’s tale is overwritten and restated, time after time after time.

This is a respectable book, and perhaps a superior composition. There are simply too many notes.

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The “dime novels” in the Civil War

Think “blood-and-thunder”…

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Book review. Copyright © Richard Carl Subber 2017 All rights reserved.

 

Writing Rainbows: Poems for Grown-Ups with 59 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

Thanks for checking out my website. Here’s what you’ll find:

my poetry in free verse and 5-7-5 format—nature poems, love poems, poems about grandchildren, and a spectrum of other topics—written in a way that makes it possible for you to know, as precisely as possible, what’s going on in my mind and in my imagination;

thoughtful book reviews that offer some exceptional critique of the book instead of a simple book summary;

bits of history that did and didn’t happen;

luscious examples of my love affair with words;

my reflections on the words, art, and wisdom of famous and not-so-famous people, and occasional comments on politics and human nature.

Your comments on my poems, book reviews, and other posts are welcome.

 

Book review: Joseph Brant and His World

“Brant was fully a Mohawk…”

by James Paxton

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The poetic art of Grace Butcher

The poetic art of Grace Butcher

Find an audience,

     and read out loud…

 

 

Grace Butcher’s poems

   beg to be read aloud.

 

They are narrative and artful. She writes about familiar sights and experiences, and infuses them with exceptional imagery and insight.

Indeed, “the best words in the best order.” (I’m sure Coleridge doesn’t mind being quoted endlessly…)

Butcher has a delicate touch as she strokes the fabulous effulgence of her imagination, and explores her sensitivities to life and people around her.

These are worth your time:

Child, House, World

Hiram Poetry Review Supplement No. 12, 1991

 

Deer in the Mall

Self-published by Grace Butcher

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Book review. Copyright © Richard Carl Subber 2017 All rights reserved.

 

O. Henry’s “The Gift of the Magi”

“…two foolish children…”

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Seeing far: Selected poems with 47 free verse and haiku poems,
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Book review: Waterloo by Bernard Cornwell

Book review: Waterloo by Bernard Cornwell

Celebrity battle,

      butcher’s work

         on both sides…

 

 

Book review:

Waterloo

 

by Bernard Cornwell, New York: Penguin Books, c1987, 2001.

378 pages

 

This is my first read in Cornwell’s Richard Sharpe series. It’s both brilliant and deadening. Waterloo is a celebrity battle for most people, including me before I started Waterloo, and I guess most folks know little more than the outcome: Wellington and the Prussian commander, Blücher, put an end to Napoleon’s final fantastic comeback in Europe. The Little Corporal died six years later in exile.

Cornwell is an appealing storyteller and his exacting descriptions of characters, places and the battlefield milieu are almost a reward in themselves. It’s really impossible to feel detached from what’s going on. Ay, there’s the rub. I felt distress and then full-blown horror as the fighting wound up and then wound down—nearly 50,000 men were killed or wounded in frantically compressed combat that ended on June 18, 1815, in a small valley in Braine-l’Alleud near the Belgian town of Waterloo, which gave the epic battle its name.

Even the slightly Hollywood bravery of Richard Sharpe doesn’t soften the impact of reading about the butcher’s work done on all sides in that violent meeting of men and ambitions. The somewhat formulaic treatment of the lives and loves of key characters is a slight distraction, but it really doesn’t hinder the accelerating martial excitement of Waterloo.

Cornwell is a compelling storyteller. I was greatly moved by Waterloo, but I can’t say I’m glad I read it.

As usual, I offer my kind of book summary here. This is not a standard history book. The characters and plot are all too familiar. I offer my reflections about the author’s style and about the terrible horror of the decisive battle near a little town in Belgium.

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Up for the counting

…he picks up the rhythm…(a poem)

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Book review. Copyright © Richard Carl Subber 2017 All rights reserved.

 

Writing Rainbows: Poems for Grown-Ups with 59 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

A beautiful book

Book review: History in English Words

by Owen Barfield

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Book review: Joseph Brant and His World

Book review: Joseph Brant and His World

“The whole genre of biographies

           is problematic”

 

Book review:

Joseph Brant and His World:

18th Century Mohawk Warrior and Statesman

 

Toronto: James Lorimer & Company Ltd., 2008.

by Dr. James W. Paxton

Associate Professor of History and Department Chair, Moravian College

B.A., University of Toronto; M.A., Virginia Polytechnic Institute and State University; Ph.D., Queen’s University, Kingston, Ontario

 

Consider the millions of people who lived in North America before Columbus “discovered” the continent. They were not savages or barbarians—they were human beings living in advanced societies.

The reader cannot doubt that Dr. Paxton respects the vibrant cultures and the cultural heritage of the North American aboriginal peoples who are among his professional interests. As an ethnohistorian, he is careful to consider the cultures of the past, and historical cultural change, in contexts that were a reality for the people who sustained those cultures.

Paxton is Associate Professor and chair of the History Department at Moravian College (Bethlehem, PA). The scope of his professional inquiry includes early America, antebellum U.S. history and the history of North America’s First People. His passion is the cultures—their antecedents, dynamic interactions, and legacies—of the peoples who were Americans before Europeans arrived beginning in the 16th century. Paxton brings candid and eloquent enthusiasm to his work.

I talked with him about this book and his views about writing and understanding history. In part, he is motivated by concern that some historians allow “the cultural assumptions of the West” to shape their understanding and interpretation of the past. Referring to biographies of historical figures, Jamie clarified an element of the ethnohistorical approach to understanding and interpreting history: “We must read a biography in the context of the [subject’s] environment—it’s hard to judge what influenced the subject, we must contextualize the person.” He cautioned that many biographers fall short of this standard (“the whole genre of biographies is problematic”). Many of the existing biographies and treatments of Joseph Brant “offer a flawed framework” of Brant’s life and cultural milieu, emphasizing a popular view that the Mohawk leader was “a man of two worlds,” that is, the respected Mohawk warrior in the Native American milieu and also the potent, Anglicized “Indian” representative who was a confidant of British colonial administrators and a transoceanic traveler who talked with King George III.

Joseph Brant (1776, by George Romney) wikimedia

            Joseph Brant                 (1776, by George Romney)

In Joseph Brant and His World, Paxton clarifies and expands his own assessment, and his commitment to contextual interpretation: “Brant was fully a Mohawk, but not a Mohawk chief; he was a New World creole, you can’t disentangle the multiple cultures he lived in . . . in aboriginal culture, there was no tradition of coerced leadership, Brant was an orator rather than a statesman . . . his wife was an influential clan mother, he was as much channeling decisions as making decisions . . . Brant’s connection to the British was important—in aboriginal culture, power was in alliances, independence was ludicrous.” Brant was not a simple “cultural chameleon” who could function in distinct Mohawk and British cultures. He was a leader who experienced and helped shape the interaction and evolution of those cultures:

“Joseph Brant was a Mohawk. He embodied the broader changes Mohawks had found useful and necessary to live in a predominantly Anglo-American world. It says much about modern myopia when we fail to note that the Mohawks’ German and Scots-Irish neighbors also found it useful and necessary to learn the Mohawk language and Haudenosaunee rituals. In important ways, the Mohawk and Grand River valleys were not racial frontiers but sites of cultural blending (p. 78).”

Joseph Brant and His World embraces the ethnohistorical commitment to explore and elaborate past cultures and cultural interactions from the point of view of the participants, respecting the milieux they sustained.

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Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

 

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
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Book review: “Bartleby, the Scrivener”

loneliness beyond understanding…

by Herman Melville

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