Book review: Shantung Compound

Book review: Shantung Compound

They didn’t

     “rise to the occasion”…

 

 

Book review:

Shantung Compound:

The Story of Men and Women

   Under Pressure

 

by Langdon B. Gilkey (1919-2004)

Harper & Row, New York, 1966

242 pages

 

This is the most provocative book I’ve read in my adult life. 

It powerfully evokes a very civilized despair for the human social condition. It tells us that the Western notion of the social contract is a wistful, romantic notion. I think I said that in a nice way. Shantung Compound was a blunt, clarifying, transformative read for me. 

In Gilkey’s words, “This book is about the life of a civilian internment camp in North China during the war against Japan . . . Because internment-camp life seems to reveal more clearly than does ordinary experience the anatomy of man’s common social and moral problems and the bases of human communal existence, this book finally has been written.”

Gilkey was a 24-year-old American teacher in a Chinese university when World War II commenced. He and about 2,000 others, men, women, and children, mostly Europeans including academics, clergy and businessmen, were imprisoned for more than two years in relatively benign conditions in the Weihsien camp near Shantung. Their Japanese captors provided the bare minimum of food and coal, and told the inmates to run the camp inside the walls.

POW camp pixabay

Shantung Compound is Gilkey’s account of the endlessly frustrated attempts, by various camp leaders and elected committees and a few charismatic individuals, to enforce a fair allocation of the smallish rooms and dorm beds, to get everyone to do a fair share of work, to prevent stealing, to settle social disputes, to provide for the exceptional needs of the elderly, the frail, the young kids, the nursing mothers…

The overwhelming truth is that, facing the prospective dangers and daily extremities of camp life, nearly all of the internees didn’t “rise to the occasion” to protect the weak and to cooperate rationally for their own good and the common good.

Instead, this is what nearly all of the internees—most of them white, educated, Western—tended to do most of the time: they conspicuously looked out for themselves and their families, declined to do more than a modicum of work, refused to give up some of their “equal” share of food and housing to needier fellow inmates, shied away from volunteer leadership, declined to share the contents of relief parcels sent by their “own” governments, stole food and supplies whenever possible, refused to punish the egregious wrongdoers among them, and rationalized most of their uncharitable, uncooperative, and uncivil behavior in complex variations of religious and humanist moralities…

Mind you, this wasn’t humanity in a state of nature. There wasn’t any “. . . Nature, red in tooth and claw” stuff. The Japanese guards remained aloof from the prisoners’ largely autonomous camp administration, and the guards permitted black market trading with villagers outside the camp. The internees lived in dismal but not life-threatening conditions. They lived peaceably, often manifesting their shortcomings in a nominally genteel way. In a perverted sense, they were in a protected environment, and really didn’t worry much about anything except surviving in a tolerably impoverished condition as part of a generally homogeneous group.

They could have lived an Enlightenment fantasy in Shantung Compound. They could have established a coherent community with orderly cooperation, consensual leadership, and rational allocation of food, housing and civic niceties to appropriately satisfy the disparate needs of all.

But they didn’t.

Here endeth the lesson for today.


In 1990 Gilkey was interviewed by Joe Bessler-Northcutt for an article in the American Journal of Theology & Philosophy (2007, Vol 28, No. 1). Gilkey said: “…it began to dawn on me that our political problems…were really moral problems. I wasn’t right that there were only material problems and organizational problems—learning how to cook and organizing the kitchen and so forth—but that a community has a lot of other things going on. And that it was the moral, insofar as there was any reflection there, that holds the community together. You have got to have supplies, you have got to have organization, that I knew very well. But you have also got to have some kind of moral structure to the community or the supplies, and the organization are not going to get you anywhere. Now that’s the main theme of the book.”

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Book review. Copyright © Richard Carl Subber 2017 All rights reserved.

 

Book review: Lord of the Flies

Never more relevant…

by William Golding

click here

 

My first name was rain: A dreamery of poems with 53 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

Your comments are welcome—tell me what you’re thinking.

 

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Trash talk to King George III

Trash talk to King George III

Declaration of Independence…

   mostly a list of complaints…

 

The Founding Fathers wrote the Declaration of Independence and started the Revolutionary War, right?

Wrong. The shooting actually started more than a year before it was written. The document was basically high-toned trash talk to King George III. It was a marketing piece, meant to get “the opinions of mankind” on the colonists’ side.

King George statue 1776 Wikimedia Commons

And Thomas Jefferson wrote the Declaration of Independence, right?

Wrong. Old Tom wrote the first complete draft. In fact, he used an 18th century cut-and-paste approach, he recycled a lot of stuff he had already written for the Virginia colonial assembly and he cherry-picked other sources. The Second Continental Congress made significant, often politically motivated revisions to the first draft.

 

This detail and much more fascinating history about the Declaration is offered in Dr. Pauline Maier’s book, American Scripture: Making the Declaration of Independence (Vintage Books, 1998). For my review, click here

The Second Continental Congress intended the Declaration to explain and help justify the decision to end the regime of King George in the North American colonies. The delegates had no expressed desire to lay down principles to guide and limit the new American government.

A complete reading of the Declaration now is a powerful experience, but it’s a very narrow lesson in American politics. The Declaration is mostly a list of complaints. It’s a recitation of the circumstances that preceded and caused the revolutionary work of the Second Continental Congress. It’s an excuse for the rebellion, done almost after the fact.

The Declaration is not a prescription for government, it’s not a philosophy of government, it’s not a political theory, it’s not a codification of law and it’s not a statement of policy. It’s regrettable that Americans do not have a deeply ingrained reluctance to cite or interpret the Declaration without first re-reading it to refresh their understanding of its rather limited nature.

The dramatic and iconic power of a few words in the Declaration is undeniable: “We hold these truths to be self-evident; that all men are created equal…” Nevertheless, Maier shows that the delegates to the Second Continental Congress never agreed that all men are created equal and have inalienable rights (the dispute about slavery was largely ignored). The so-called “Founding Fathers” used stock phrases (“life, liberty and the pursuit of happiness”) from English political theory, with no explicit agreement on how to realize them in the American colonies.

The men who helped usher in the Revolution never troubled themselves to even remotely consider how “the governed” could realistically give their consent to the “just powers” of government (universal suffrage was not even a talking point in the late 18th century in North America). The Declaration is a bona fide icon in American history, but it’s not a prescriptive model for government or our political heritage.  As a “workaday document of the Second Continental Congress,” it served its purpose—to put King George’s transgressions in the limelight—and then was almost forgotten.

 

Consider this:

The Founding Fathers were an 18th century “Band of Brothers,” right?

Wrong. They were bitterly divided on many issues, they fiercely represented the separate interests of their own colonies, and they allowed their personal and business interests to guide some of their actions.

Beginning in the 1820s, almost 50 years after the Declaration was written, Americans began to remember the old revolutionaries as “mighty fathers whose greatness threw into relief the ordinariness of their descendants.” Thus began the secular beatification of these men that we now commonly revere as the so-called “Founding Fathers.” As a matter of fact, the first person to introduce the words “Founding Fathers” in the American political lexicon—in 1916—was Republican Senator and later President Warren G. Harding.

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Book review. Copyright © Richard Carl Subber 2017 All rights reserved.

 

St. Ives, another look…

Less than meets the eye

(a book review)

click here

As with another eye: Poems of exactitude with 55 free verse and haiku poems,

and the rest of my poetry books are for sale on Amazon (paperback and Kindle)

and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

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A poet is a “maker”

A poet is a “maker”

No such thing as a “long poem”…

 

“Poem” has its etymological root in a Greek verb meaning “to make,” thus a poem is something made. A more detailed description of poetry has been elusive for more than a couple thousand years.

A somewhat bountiful book on this subject is Classic Writings on Poetry, edited by Dr. William Harmon.

From his Introduction:

“…In none of [these] documents is poetry as such distinguished very crisply from prose…(1)

Poetry resists absolute definitions…Rhyme, for example, has been an incidental blemish of prose in many literatures, especially those of classical antiquity…in time, however, in the poetry of Europe, rhyme turned into an ornament so important that ‘rhyme’ itself virtually came to mean ‘poem’…”

 

Before that happened, “…during the Middle Ages…rhymed accentual verse was introduced for certain religious texts set to music, but rhyme was so alien to true poetry, according to many conservatives, that such texts were called ‘proses.’ “(2)

Notebook Pixabay

For the record: Harmon notes that an “old-fashioned” poem, or “verse,” like “Adeste Fideles,” does not rhyme either in Latin or in English.

 

 

I am fully intrigued by reflecting on the distinction between prose and poetry. To be sure, I’m not yet prepared to offer any compelling commentary on that point, except to say that I’m in complete agreement with Edgar Allan Poe in believing that brevity has something to do with it.

In his “The Poetic Principle,” Poe makes his view very clear:

“I hold that a long poem does not exist. I maintain that the phrase, ‘a long poem,’ is simply a flat contradiction in terms.

“I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating the soul. The value of the poem is in the ratio of this elevating excitement…That degree of excitement which would entitle a poem to be so called at all, cannot be sustained throughout a composition of any great length. After the lapse of half an hour, at the very utmost, it flags—fails—a revulsion ensues—and then the poem is, in effect, and in fact, no longer such.”

 

It takes just about a minute to read this post.

‘nuff said.

 

(1) Harmon, p. xii

(2) Ibid., p. x

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A glimpse of the millennial dawn…

witness to the song of the sea…(a poem)

click here

Copyright © Richard Carl Subber 2017 All rights reserved.

Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

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Puppy space

Puppy space

Some puppy space isn’t the best place…

 

A while ago I read a poem that put a golf ball in my throat.

If ever in your life you have felt love, then you have your armor that may keep you safe when you read it.

Wesley McNair writes about a puppy on a chain who cries when he strains into the collar at the periphery of his circular, desolate space:

 

“…Soon,

 when there is no grass left in it

 and he understands it is all he has,

 he will snarl and bark whenever

 he senses a threat to it.

 Who would believe this small

 sorrow could lead to such fury

 no one would ever come near him?”

 

Do you have such a puppy space in your life? Can you stop barking?

Can you bring a friend inside the circle? Can you slip the collar?

 

Poem copyright ©2010 by Wesley McNair, “The Puppy,” from Lovers of the Lost: New & Selected Poems, (David R. Godine, 2010). Posted by permission on www.PoetryFoundation.org

…and another thing:

I can tell you that the “puppy space” theme recurs in poetry, as in:

 

“…a junkyard puppy learns quickly how to dream…”

From “Luke’s Junkyard Song” by Mary Oliver

 

Mary Oliver’s intuitive lines moved me to offer my own empathic intuition about the careless degradation of a dog’s world view from inside a forgotten fence:

 

One dog’s world

 

The fence is cruel, you understand,

it stops him short

   but does not bar his gaze,

it is the edge of his patrol,

each day he takes those last steps forward

   at a random spot,

and then, again, beyond that rusting truck,

and then, again, those last stiff steps

   to another well-worn station at the fence

      that makes his junkyard a prison.

 

The fence is cruel, you understand,

its wire links hide nothing

   of the lively concourse and the duck-filled river,

the shipping docks and the tandem rail lines

   outside his world.

 

The fence tempts his eye each day

   to see a new future a few steps away,

to see another world he cannot understand.

This fence is his faux frontier,

more harsh because so near,

a lure with no reward,

a circle with no end, no beginning,

no escape…

 

He learned too soon to dream of getting through…

 

November 10, 2016

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My poetry. Copyright © Richard Carl Subber 2017 All rights reserved.

A poet is a “maker”

…and it doesn’t have to rhyme…

click here

​-
In other words: Poems for your eyes and ears with 64 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

 

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