My Mother’s House and Sido…book review

My Mother’s House and Sido…book review

the old warm quilt…

 

 

Book review:

My Mother’s House and Sido

 

by Colette (Sidonie-Gabrielle Colette) (1873-1954)

French writer, nominated for Nobel Prize in 1948

New York: Farrar, Straus and Giroux, 1953

219 pages

 

Colette’s life was an abundance of verve. She pushed through every door.

She infused her characters and her stories with verve. Colette’s characters are alive.

This is old-fashioned fiction, the kind that invites the reader to snuggle a bit deeper under the old warm quilt and keep reading…

It’s a pleasure to read My Mother’s House and Sido.

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Book review. Copyright © Richard Carl Subber 2026 All rights reserved.

 

84, Charing Cross Road (book review)

Helene Hanff, on reading good books…

click here

–

many waters: more poems with 53 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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The Homeplace…book review

The Homeplace…book review

turmoil in the reading

 

 

Book review:

The Homeplace

 

by Marilyn Nelson Waniek (b1946)

Prize-winning American poet

Baton Rouge, LA: Louisiana State University Press, 1990

 

Thinking about writing this review of The Homeplace re-boots the cold explosion in my self.

Honestly, there was turmoil in this reading.

Marilyn Nelson Waniek is a respected black poet. I’m an old white guy who writes and cares about poetry.

I don’t read much poetry by other writers that appeals to me. This doesn’t make me special. I think it’s an ordinary experience.

When I say that much of Marilyn Nelson’s work doesn’t appeal to me, that doesn’t signify much of anything out of the ordinary.

When I say that some of the poems wrap their hands around my throat and squeeze directly through to my soul, it signifies exactly what those words mean.

It’s not “black poetry,” let’s get that straight. That term necessarily implies that there is “white poetry.” I think there are ways to characterize poetry, but the demeaning simplicity of “black poetry” or “white poetry” isn’t acceptable. I think it’s not possible. Poetry is personal, and it doesn’t have a skin color.

Here’s an excerpt from The Homeplace:

These are words from “Chosen,” an understated account of a white Southern master and Diverne, a young black woman who is his slave, and Pomp, their son.

 

“Diverne wanted to die, that August night

his face hung over hers, a sweating moon.

She wished so hard, she killed part of her heart

…And the man who came

out of a twelve-room house and ran to her

close shack across three yards that night, to leap

onto her cornshuck pallet. Pomp was their

share of the future. And it wasn’t rape.

In spite of her raw terror. And his whip.”

 

I’d like to say I think I want to walk a mile in Marilyn Nelson’s shoes.

Maybe I was able to trudge a few steps when I read her poems.

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Book review. Copyright © Richard Carl Subber 2026 All rights reserved.

 

Book review: The Financier

Theodore Dreiser’s villain…

click here

–

In high meadows: poems abide with 60 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

“brass and velvet”…my poem

“brass and velvet”…my poem

she reaches higher

 

 

brass and velvet

 

She does not murmur,

she will not pause,

she takes a breath

   to make more song,

her singing races the keyboard

   and she wins,

she embraces each tempo

   and each lilt lingers,

 

her song gets bigger,

she reaches higher,

she brightens the airs,

her power leaps from her lips

   and her heart and her smile,

her smile does not end,

 

the high notes are so trusting,

they chase the silence,

they wrap all ears,

they surround such blues

   as may still linger,

they make a vital mix

   of sound and wonder,

 

the words take forms we have not seen,

the sense of the song

   is the swoon of the sound,

such wistful verve and rampant rhythm,

the call of the wild

   revolves and turns

      and emboldens,

such wonderment!

 

She ravishes each melody

   and tempts lovers to echo the songs,

the mountains of sound

   that climb from her lips,

the whirlwinds of song.

 

She is more than a music maker,

she is music with smiles,

her voice is brass, velvet,

a storm, a lullaby,

cymbals, the wanton wind,

treasure for poets.

 

She sings embraces,

her voice chases sadness,

in her gush of words

   and melodies

      there are no questions.

 

August 4, 2026

 

Inspired by the singing and piano playing of Violet Hanks, 12 years old,

at Linden Ponds in Hingham, MA

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My poetry. Copyright © Richard Carl Subber 2026 All rights reserved.

 

Book review: “Bartleby, the Scrivener”

Loneliness beyond understanding…

by Herman Melville

click here

–

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

Your comments are welcome—tell me what you’re thinking.

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“The ocean makes its thrum…”…“Ashore,” my poem

“The ocean makes its thrum…”…“Ashore,” my poem

each layered wave…

 

 

Ashore

 

This place, it has no words for me.

 

The ocean makes its thrum,

it pulls the bow across the longest string…

 

Each layered wave aspires to end in surf,

and lightly bears its encumbering crest,

wavers at the sandy lip

   and rolls beneath the swell,

makes room for every motion

   that was born afar in blue water,

and sidles now to make a final turn,

becomes mere rhythm…

 

May 6, 2021

Ogunquit, ME

 

It was high tide at the Beachmere Inn.

The broad curve of the bay accepted the languid procession of modest waves…

it all seemed so unexceptional,

but I know that each wave is unique until it gets to the shore line.

The tableau did not speak to me.

I know that my presence was not needed.

 

Published in Creative Inspirations, January-February 2023.

 

My poem “Ashore” was published in my eighth collection of 57 poems, Empyrean: new poems.

You can buy it on Amazon (paperback and Kindle),

or get it free in Kindle Unlimited, search for “Richard Carl Subber”

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My poetry. Copyright © Richard Carl Subber 2026 All rights reserved.

 

A Farewell to Arms (book review)

classic Ernest Hemingway

    with relentlessly realistic dialogue…

click here

–

In high meadows: poems abide with 60 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

Your comments are welcome—tell me what you’re thinking.

*   *   *   *   *   *

A deadly masquerade of amour…Les Liaisons Dangereuses

A deadly masquerade of amour…Les Liaisons Dangereuses

…death is an anticlimax…

 

 

Book review:

Les Liaisons Dangereuses

 

by Pierre-Ambroise Choderlos de Laclos

Originally published 1782

Translated as Dangerous Liaisons by Ernest Dowson, New York: Doubleday, 1998

Illustrations by Sylvain Sauvage

 

Les Liaisons Dangereuses is not a garden of delight.

This is a book about love, but the reader will find precious little of it in these pages.

An acquaintance dismissed this voluptuous tale, thus: “All they do is talk.”

Let’s begin there. The language is rich. I daresay that Laclos turns language into an erogenous zone in Les Liaisons Dangereuses.

If you aspire to a working understanding of good and evil, you could do worse than listen to the riveting chatter of the leading personae, who choose each word with careful, deliciously ribald, austerely cruel, and domineering intent. You really don’t want to be a friend, and you most assuredly don’t want to be an enemy.

Men, en garde! The Marquise de Merteuil impulsively thinks of cojones as table ornaments.

Ladies, away! The Vicomte de Valmont is a pirate lover, he sees women as prize ships ready for boarding.

One might wish to believe that the others are innocents: Cécile Volanges, Danceny, the Présidente de Tourvel. But, hold. Each of them seeks to play the game of love, but they are hardly able to distinguish winning from losing.

Yes, this is a boundless exposé of the worst elements—of human intrigue, self indulgence, hubris, vaunting egos, and careless poaching of souls—that masquerade as amour.

Yes, in a sense, the characters are stereotypes, but each is, remarkably, ingeniously, ingenuously, a masterpiece of the type. Laclos uses every pertinent word to make them real.

Yes, Les Liaisons is an ultimately degraded experience for both the characters and readers…ultimately, the reader must condemn the Marquise and the Vicomte for so many lives destroyed…death is an anticlimax in Les Liaisons Dangereuses.

The Marquise and the Vicomte are burdened with a moral framework that shuns the absolute—they have unimaginably unsatisfied desires, and no intellectual elaboration of right and wrong.

Yet, a gentle reader may offer these two a bare shred of pity.

The Marquise de Merteuil and the Vicomte de Valmont swirl through their lives, casually jousting with each other as they amuse themselves in controlling the fates of other men and women, but remaining unaware that they are not in control of their own fates.

 

Note for bibliophiles: Whether you read this in the original French, or in the lush translation by Ernest Dowson, accept the pain of experiencing a literary style that is no longer in vogue, prepare yourself for Laclos’ fabulous late 18th century style that discards a simple declarative sentence, readily, with apparent joy, whenever a sentence heavily laden with clauses, phrases, and modifiers will do just as well, heedless of the effect on a reader, whose inclination may be to appreciate the writhing drama of this story, with somewhat fewer words.

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Book review. Copyright © Richard Carl Subber 2026 All rights reserved.

 

Book review: “Bartleby, the Scrivener”

Loneliness beyond understanding…

by Herman Melville

click here

–

many waters: more poems with 53 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

Kaa’s Hunting, another Kipling story

Kaa’s Hunting, another Kipling story

good story-telling…

 

 

Kaa’s Hunting (1893)

 

in The Jungle Book (1894)

by Rudyard Kipling (1865-1936)

 

Kaa’s Hunting (1893) fills you with thoughts of comradeship, adventure, bravery, loyalty, and jungle stuff. It’s a good introduction to Kipling’s style and to his deep dives into real and fictionalized life events.

Mowgli the man-cub learns much after he is abducted by the monkey people.

The reader learns much about tolerating the way things are, and about doing the right thing to make things better.

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Book review. Copyright © Richard Carl Subber 2026 All rights reserved.

 

Book review: The Bartender’s Tale

Ivan Doig’s story, I mostly loved it…

click here

–

Empyrean: new poems with 57 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

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