The Scarlet Letter, victim of Hollywood
the movies ignore the real story…
Movie review:
The Scarlet Letter
by Nathaniel Hawthorne (1804-1864)
Published 1850
I watched three films based on Nathaniel Hawthorne’s iconic story, The Scarlet Letter. My small sample (there are at least nine movies based on the story) confirms that Hollywood really can’t stand the story as Hawthorne wrote it.
Read my review of Hawthorne’s book, click here.
In 1934 Colleen Moore played Hester Prynne and Hardie Albright played Rev. Arthur Dimmesdale in the tale about Puritan condemnation of adultery and children born out of wedlock. Hester is sentenced to wear an embroidered scarlet letter “A” on her bosom, and Dimmesdale endlessly rationalizes his decision to conceal his role as the mysterious father of little Pearl. The movie reflects the production limitations and typical dramatic direction in the 1930s—there’s a lot of staring into the camera, and crowded action scenes.
Meg Foster played Hester and John Heard played Dimmesdale in the 1979 TV miniseries about The Scarlet Letter. There are recognizable scenes from the book. The script is nondescript. It’s a ponderous distillation of Hawthorne’s words.
The 1996 version with Demi Moore as Hester and Gary Oldman as Dimmesdale apparently is the latest in the unsatisfying series of film versions of The Scarlet Letter. It is an almost lurid mal-adaptation of the book. The hot scenes featuring Hester and Dimmesdale attracted to each other are a complete invention—Hawthorne eschews any explicit reference or description of physical intimacy between his principal characters. Demi and Gary get it on, but it ain’t Hawthorne.
In all three films, the role of little Pearl is deliberately underplayed. The child is a principal factor in the story—her feelings, her joie de vivre, her contemplations, her maturation are fully explored in the book, and ignored in the movies.
The mental and emotional quagmires that are explored and endured by Hester and Dimmesdale are generally ignored in the movies. None of the movies uses the ending that fulfills the book.
In short, for my taste, if you want to claim that you are familiar with the themes, plot, and denouement of The Scarlet Letter, you have to read the book.
The movies are scandalously thin and false charades of the powerful drama of Hawthorne’s story that was published very successfully in 1850.
If you think you remember reading it a long time ago, try it again.
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Movie review. Copyright © Richard Carl Subber 2022 All rights reserved.
Book review: Shantung Compound
They didn’t care much
about each other…
by Langdon Gilkey
click here
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