the other you…”Looky here,” my poem

the other you…”Looky here,” my poem

the ugly bears…

 

 

Looky here

 

I didn’t mean to look at me.

I guess I wasn’t really having that much fun

   in the Fun House.

What was I thinking when I ate cotton candy

   as a kid and thought it was great?

The stuffed animals aren’t really cute…

   where do they buy the ugly bears?

I was alone, I guess that says a lot…

   who walks around alone in the Fun House?

 

Anyway, I passed the goofy, wavy mirror

   and I guess I couldn’t help it,

I looked at it quick, I didn’t really stop,

I saw me, shattered, in layers, quivery,

even if I’d had a smile on my face

   I’m not sure smiles show up in those things.

I kept walking, and I was thinking

   about what I really look like,

and I guess I realized a mirror

   probably never tells the whole story,

because the other you might have

   a different point of view.

 

May 28, 2018

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My poetry. Copyright © Richard Carl Subber 2024 All rights reserved.

 

Book review: The Myths of Tet

How people get killed by lies…

by Edwin E. Moïse

click here

Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

Your comments are welcome—tell me what you’re thinking.

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T. S. Eliot and “the hollow men”

T. S. Eliot and “the hollow men”

a bloomin’ wasteland, maybe…

 

Thomas Stearns Eliot (1888-1965)

American-British writer, popularly acclaimed as a great poet of the 20th century

 

At long last, I’ve tried T. S. Eliot’s poetry.

Maybe I’ll put Collected Poems of T. S. Eliot back on the shelf, and try again after a while.

Maybe not.

 

“…We are the hollow men

   We are the stuffed men…”

From “The Hollow Men,” 1925, by T. S. Eliot

 

It’s not that I mind Eliot’s deliberate contradictions so much. I’m willing to be provoked. I’m open to being tantalized. I’m ready to be pushed or pulled outside my comfort zone.

The sticky point for me, with Eliot’s poetry, is that I never seem to get to the point, or maybe I simply don’t get the point. When I get to the end of one of his longish poems, I’m really not sure where I started, or where I wandered, or where I arrived.

I find little coherence in Eliot’s words and phrases and passages.

I think of myself as a wordsmith, and I love the beauty of elegant phrases and shimmering, specific, steely, selective, stately, splendid words that tell a delicious story or evoke a bloom of emotion.

For my taste, T. S. Eliot’s poetry isn’t tasty, and it’s a bloomin’ wasteland of jumbled words, fractured images, and unfinished imaginations.

If you’re wondering where all the flowers have gone, don’t look for answers in Eliot’s work.

Source: T. S. Eliot, Collected Poems of T. S. Eliot (New York: Harcourt, Brace & Company, 1958), 101.

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Book review. Copyright © Richard Carl Subber 2024 All rights reserved.

 

Fire in the Lake (book review)

you should have read it in 1972…

by Frances FitzGerald

click here

 

Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

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