Moby-Dick and stuff…book talk
Moby-Dick and stuff….
I know whale tales aren’t for everyone.
If you’re still with me, you might be interested to know that Herman Melville’s iconic whale story was published 174 years ago (titled: “The Whale”) in London, and then, a month later, in New York.
The original American title is Moby-Dick; or, The Whale. Melville actually went to sea as a crewman on a whaling vessel, and based his novel in part on a real sperm whale named Mocha Dick, known to South Pacific sailors in the 1840s.
Early in his career Melville was briefly acclaimed for some of his South Pacific stories, such as Typee, but he was obscure during the last 30 years of his life. He earned only $1,200 or so from the sale of about 3,200 copies of Moby-Dick, which was out of print when he died in 1891.
A first American edition of the book can easily be secured if you have about $80,000 (free shipping!) to spend.
Melville wrote in a variety of genres—again, not for all tastes. I’m a big fan of Moby-Dick, and I’m also an advocate for Bartleby, the Scrivener: A Story of Wall Street. Nothing of the South Pacific here. The circumstances of this desiccated short story are curious, even eccentric, incredulous. The withered and aloof Bartleby is presented, examined and disdained, until his very dispirited isolation makes him the object of the narrator’s genuine but increasingly troubled caretaking.
Don’t overlook Billy Budd, Sailor. It’s a searing morality play.
You may be surprised to know that Melville also wrote poetry. One critic has somewhat ponderously suggested that Moby-Dick is filled with Melville’s incipient poetry. I certainly believe that a story can contain a poem, but I don’t see anything like that in Moby-Dick.
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Book review. Copyright © Richard Carl Subber 2025 All rights reserved.
The “dime novels” in the Civil War
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