How does a poem end?

How does a poem end?

“…such words, the richest fare…”

 

 

Finis

 

To make a race, I mind the end

   and where to start the race, and when.

To craft a plan, the goal is key,

the outcome must be clear to see

 

To make a poem is not a race,

and not a plan, but what I face

   is how to start—not how to end—

      and what some musing may portend…

 

Some will say it’s hard to know

   just what comes first and what fills in,

and what sings out, and what can spin,

and what must stay, and what can go.

 

The ending, though, is something rare,

a mystery while scribbles dare

   to frame the poem, with rhyming, O!

 

…and then, such words, the richest fare,

in rampant form that lets me know

   the poem is done—the end, just so—

      the marvel: how my pen gets there.

 

July 2, 2018

This really is not a tutorial on writing poems.

It’s just a story about writing poems.

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My poetry. Copyright © Richard Carl Subber 2018 All rights reserved.

 

My first name was rain: A dreamery of poems with 52 free verse and haiku poems,

and the rest of my poetry books are for sale on Amazon (paperback and Kindle)

and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: The Scarlet Letter

Book review: The Scarlet Letter

slow-cooked human nature…

 

 

Book review:

The Scarlet Letter

 

by Nathaniel Hawthorne, London: Collins’ Clear-Type Press, 1850

368 pages

 

This is magnetic literature. The Scarlet Letter pulls me in, and keeps me connected to Hawthorne’s compelling exposure of slow-cooked human natures.

As I turn the pages, I put my hands on the beating hearts of Arthur Dimmesdale and Hester Prynne.  Dimmesdale flails in the crass miasma of his weakness. Hester does not try to escape her torment, and she creates iconoclastic goodness in nearly everything she does. They came close to escaping their time.

The scarlet letter of Hester’s ignominy is perhaps the least destructive element of this story of love that is a transgression and a transforming secret.

There is so much emotion and too little joy in Hawthorne’s tale of 17th century lovers. Alas, the story line is viciously inescapable.

Here’s another thought: as the story is commonly known and discussed, there is hardly enough engagement with the essential role of little Pearl, the happy-go-lucky and morbidly insightful child whose experience is vital in every chapter. Pearl is a connector in every element of the tale.

 

I guess you won’t have any trouble believing this:

after publication of The Scarlet Letter, Hawthorne described it as “positively a hell-fired story, into which I found it impossible to throw any cheering light.”

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

Book review: Lord of the Flies

The story was never more relevant…

by William Golding

click here

 
My first name was rain: A dreamery of poems with 52 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: The Bartender’s Tale

Book review: The Bartender’s Tale

you know this country…

 

 

Book review:

     The Bartender’s Tale

 

by Ivan Doig (1939-2015)

Riverhead Books, Penguin Group (USA) Inc., New York, 2012

387 pages

 

If you’re an Ivan Doig fan, like me, this one will easily endear itself to you. It’s Ivan Doig-ish and it’s about a 12-year-old boy growing up with his father, in a saloon, in Gros Ventre, a likable-enough town with likable-enough people in Two Medicine country, in Montana, where the sheep are. If you’re an Ivan Doig fan, you sort of know this kind of country.

Spoiler alert: it ain’t This House of Sky. Pause. Repeat, for effect.

On the other hand, 12-year-old Rusty is a magnet for life experiences, he is a perceptive if sometimes innocent observer of what life crams into his young world, he ingenuously feels the first throbs of grown-up sadness, young love, careless aspiration, and fear of life-changing events that he sometimes only clumsily understands. Rusty is the kind of character that Doig understands.

Rusty’s relationship with his dad grows and changes from the first page to the last—for me, this plot thread is at least as compelling as the boy’s fantastic and wonderfully articulate transition from kid to person. Rusty learns from Tom even when Tom isn’t teaching, even when Tom is struggling with mysteries himself. Rusty listens in on Tom’s grown-up and sometimes overwhelming life, especially in the back room of the Medicine Lodge saloon….and the back room is stage center for Rusty and Zoe, his 12-year-old consort in young love and great adventures.

On the other hand, you see, The Bartender’s Tale is about a whole lot more than Rusty, and Tom, and Zoe. Too much more, I dare to say. For my taste, Doig gives us too many secondary characters who have primary roles, too many plot turns jumbled together, and too many momentous surprises, and here I’m trying sincerely to avoid using the distasteful word “contrived” but I think I can’t quite help myself….

Of course, I realize this sounds a bit like the Emperor telling Mozart that his music has “too many notes.” Forgive me.

Mostly I loved The Bartender’s Tale. Really, I couldn’t put it down. Really. Repeat, for effect.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

Book review: The Sea Runners

…it informs, it does not soar…

by Ivan Doig

click here

many waters: more poems with 53 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

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Book review: Sketches by Boz

Book review: Sketches by Boz

The buzz about Boz!

 

Of course, they don’t write ‘em like this anymore.

Hooray for Charles Dickens (1812-1870). I’m talking about Sketches by Boz, his first book published in 1836.

I’m talking not only about the obvious point (Dickens has been dead these many years), but also about my understanding of the palpably inimitable Dickensian style.

Dickens does not fail to offer, time after time after time, character portraits that spring to life as you turn the pages—he sketches his characters with disinterested honesty, stout-hearted realism, generous indulgence, often a touch of whimsy…

 A case in point: “The Four Sisters,” who inhabit No. 25 Gordon Place in Sketches by Boz. In his brief (five pages) exposition of these cloistered ladies, Dickens ventures to create four personae that are not, will not, cannot be demeaned as a stereotype.

The Miss Willises—the master doesn’t trouble himself about not calling them the Misses Willis—are a scream, in a fastidiously literary kind of way.

Here’s a little taste:

“The house was the perfection of neatness—so were the four Miss Willises. Everything was formal, stiff, and cold—so were the four Miss Willises. Not a single chair of the whole set was ever seen out of its place—not a single Miss Willis of the whole four was ever seen out of hers. There they always sat, in the same places, doing precisely the same things at the same hour…They seemed to have no separate existence, but to have made up their minds just to winter through life together…The eldest Miss Willis grew bilious—the four Miss Willises grew bilious immediately. The eldest Miss Willis grew ill-tempered and religious—the four Miss Willises were ill-tempered and religious directly. Whatever the eldest did, the others did, and whatever anybody else did, they all disapproved of…”

I think this passage, like so many scenes in Dickens, is a singularity.

Re-reading Dickens is a singular treat for me.

 

You’re absolutely right, this is not quite a book review. I have a love affair with words, the carefully chosen words, words that express in exceptional ways the boundless variety of our thoughts, experiences, and emotions. I think a lot about life, the human condition, loving relationships with others, and the many levels of beauty, serenity, and delight in our natural environment. Reading the pithy words of real wordsmiths is always a learning opportunity.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

Book review: The Blithedale Romance

by Nathaniel Hawthorne, it’s not his best…

click here

My first name was rain: A dreamery of poems with 52 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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“Fishering,” by Brian Doyle

“Fishering,” by Brian Doyle

“…I think maybe there is much…

 

 

The art of Brian Doyle

 

Brian Doyle (1956-2017) had the gift.

“Fishering” is an obscure, potent piece from his pen that gives me a double whammy: something like a child’s innocent joy of discovery, and something like the experienced master’s startled awareness of a new way of understanding…

Doyle, almost tenderly, pulls back the curtain on a scene of brutal splendor, of nature red in tooth and claw, of the mysterious reality of survival that we humans rarely face, of the beauty of power that does violence without evil in an unresisted cycle of life and death:

 

“I think maybe there is much

where we think there is nothing.”

 

Brian Doyle

He was an author and editor of Portland Magazine at the University of Portland

from “Fishering,” in the March 6, 2006, issue of High Country News

 

Doyle’s story just draws in the horizons until I am in a small space, contemplating a feat of nature that is alien, but beautiful…I guess I hope I never see a ferocious fisher face to face, I’m not too sure I could calmly sit down and watch it as Brian did, but  the monumental fleeting truth is that I wish I could do what he did and see the thing, out there, and have a wonderful, fearful, essential moment of contact to remember…I want to try to be open to the moments in life when there can be much, instead of nothing…

For your delectation, read this excerpt of:

 

“Fishering” by Brian Doyle

 

“In the woods here in Oregon there is a creature that eats squirrels like candy, can kill a pursuing dog in less than a second, and is in the habit of deftly flipping over porcupines and scooping out the meat as if the prickle-pig were merely a huge and startled breakfast melon.

“This riveting creature is the fisher, a member of the mustelid family that includes weasels, otter, mink, badger, ferrets, marten, and — at the biggest and most ferocious end of the family — wolverine…

“…Suffice it to say that I have been much graced in these woods, but to see a fisher was not a gift I expected. Yet recently I found loose quills on a path, and then the late owner of the quills, with his or her conqueror atop the carcass staring at me.

“I do not know if the fisher had ever seen a human being before. It evinced none of the usual sensible caution of the wild creature confronted with homo violencia, and it showed no inclination whatsoever to retreat from its prize. We stared at each other for a long moment and then I sat down, thinking that a reduction of my height and a gesture of repose might send the signal that I was not dangerous, and had no particular interest in porcupine meat. Plus, I’d remembered that a fisher can slash a throat in less than a second.

“Long minutes passed. The fisher fed, cautiously. I heard thrushes and wrens. I made no photographs or recordings, and when the fisher decided to evanesce I did not take casts of its tracks, or claim the former porcupine as evidence of fisherness. I just watched and listened and now I tell you. I don’t have any heavy message to share. I was only a witness: Where there are no fishers, there was a fisher. It was a stunning creature, alert, attentive, accomplished, unafraid. I think maybe there is much where we think there is nothing. Where there are no fishers, there was a fisher. Remember that.”

*   *   *   *   *   *

Copyright © Richard Carl Subber 2018 All rights reserved.

My first name was rain: A dreamery of poems with 52 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

​-

 

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