Movie review: Same Time, Next Year

Movie review: Same Time, Next Year

it’s just a movie, but…

 

 

Movie review:

Same Time, Next Year

 

starring Alan Alda and Ellen Burstyn

Universal Studios, 1978

 

Love is grand, of course.

Well, almost all the time.

“If you can’t be with the one you love, love the one you’re with” was the way Stephen Stills wrote the song in 1970.

This is an unmysterious film. George (Alda) and Doris (Burstyn) are attractive, clean-cut, smart, sentimental, successful grown-ups who love their spouses and their kids. While each is traveling alone, they meet accidentally, they unintentionally experience a one-night stand, and they decide to get together once a year for idyllic adultery, for the next 26 years.

Hey, it can happen, right?

The script includes some adult situations (like Doris having a baby in their room at the inn) and a couple almost self-conscious blippable dalliances with the F-bomb—all quite thrilling on-screen non-PC moments in 1978.

Same Time, Next Year is a see-through movie. Mostly, the script is predictable and heartwarming. The set is minimalist—almost all of the action occurs in the room at the inn. The gritty plot highlights are all too imaginable.

I like Same Time, Next Year, but I say that with reservation. I’m not a big fan of adultery, no matter how all-American it seems when George and Doris do it.

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Movie review. Copyright © Richard Carl Subber 2019 All rights reserved.

 

A poet is a “maker”

…and it doesn’t have to rhyme…

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Book review: Shawshank Redemption

A world I do not want to know…

by Stephen King

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many waters: more poems with 53 free verse poems,
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Book review: The Cradle Place by Thomas Lux

Book review: The Cradle Place by Thomas Lux

clunky is the word…

 

 

Book review:

The Cradle Place

 

by Thomas Lux (1946-2017)

New York: Houghton Mifflin Company, 2004

61 pages

 

Some folks think Thomas Lux deserves to be a prize winner.

Not likely. He offers joyfully erratic, uncivil, and unimaginable poems.

Lux inclines to clunky excess in his descriptions. No spirits are born in The Cradle Place.

Although the jacket notes refer to “refreshing iconoclasms,” I couldn’t find any.

Mary Oliver doesn’t have to move over…

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

Thieves in the Night

A story of Israel…(book review)

by Arthur Koestler

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Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: Moral Tribes by Joshua Greene

Book review: Moral Tribes by Joshua Greene

a miss on tactics,

   a miss on strategy…

 

 

 

Book review:

   Moral Tribes:

   Emotion, Reason,

   and the Gap

      Between Us and Them

 

by Joshua Greene

New York, Penguin Press, 2013

422 pages

 

 

“This book is an attempt to understand morality from the ground up.” Greene’s sincere aim is a bit too breezy for me.

Reluctantly, I admit I don’t have time to read a book like Moral Tribes right now. I feel like I’m too busy sticking fingers into the terrifying political dike that is threatening to collapse in America, indeed, in the world.

I’m interested in learning more about Greene’s approach in Moral Tribes: “understanding the deep structure of moral problems as well as the differences between the problems that our brains were designed to solve and the distinctively modern problems we face today.”

I don’t have enough time or energy to indulge Greene’s apparently sincere efforts to develop “a practical philosophy that can help us solve our biggest problems.”

America’s problems—Americans’ problems—are all too clear and at least one part of the fix is all too clear: there are lots of folks who can live with and live for the hatred they feel, and they’re voting; there are lots of folks who are afraid of some of the kinds of people who are getting elected and exercising political power to the detriment of most Americans, and too many of these fearful folks aren’t voting.

I think a dominating element of a practical philosophy for America right now is “Get out the vote!”

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

A poem about the right thing

…and the lesser incarnation…

“Vanity”

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many waters: more poems with 53 free verse poems,

and the rest of my poetry books are for sale on Amazon (paperback and Kindle)

and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: The Financier

Book review: The Financier

channeling Gordon Gekko…

 

 

Book review:

The Financier

 

by Theodore Dreiser (1871-1945)

First published 1912, Harper and Bros., New York.

 

The Financier was written before its time.

It’s just amazing that Dreiser wrote this gritty novel in 1912, before anyone even thought of derivatives, credit default swaps, sub-prime “liar loan” mortgages, no-fault (for bankers and brokers, that is) national financial meltdowns, and politically-motivated government shutdowns. Frank Cowperwood is the ethically-challenged “financier” whose star and fortunes rise so marvelously and then collapse with equal flare. He seems so absolutely convincingly contemporary that I had recurring transient episodes of reverse déjà vu as I learned about his desperate ambition and burnout.

Frank is a first-rate villain in The Financier. He burns his friends and enemies with equal disdain, he channels Gordon Gekko with suitably theatrical energy, and he is most deliciously unrepentant when his schemes go awry, his loans get called, and then his empire crashes around him.

I guess that I must emphasize “deliciously unrepentant” because, unlike the contemporary villainous free spirits of Wall Street, Frank promptly goes to jail for his crimes.

The Financier so obviously is the kind of novel that might be written by a baroque clone of Michael Lewis. If you’d like to work out a bit of the residual rage you feel about the man-made financial cesspool we wallow in, then try this American classic.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

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​many waters: more poems with 53 free verse poems,
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and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: Lafayette by Harlow Unger

Book review: Lafayette by Harlow Unger

A hero, not a saint

 

 

Book review:

Lafayette

 

by Harlow Giles Unger (b.1931)

Hoboken, NJ: John Wiley & Sons, Inc., 2002

452 pages

 

I acknowledge the obvious: Unger fully entertains in recounting that Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier de la Fayette was a national, military, political and, indeed, a paternal hero to millions in America and France during the American and (several) French revolutions.

There is no doubt that, despite the fact that he was one of the richest French nobles of his time, Lafayette was publicly and privately dedicated to republican government and a social/economic order that was far more egalitarian than the monarchical and aristocratic structures that prevailed.

Was he a great man? Unger, like many of his biographers, says yes. Lafayette was a courageous battlefield leader, he was an enlightened manorial lord who enhanced the lives of his peasants, and he was both outspoken and fearless, repeatedly, in literally dangerous political situations for a couple decades in Revolutionary and Napoleonic France. Unger amply—even poetically—demonstrates these lifelong characteristics of the man Americans called “our Marquis.”

I also feel obliged to call attention to some countervailing factors that Unger fully describes but does not adequately interpret.

Lafayette put his money where his mouth was. He repeatedly used his great personal wealth to pay and outfit the troops he commanded, when government funds and supplies ran low. I suggest a case could be made that the Marquis, uniquely among American commanders, paid for his military success in the Revolutionary War. Throughout the war, the options and operations of colonial commanders were significantly hindered by short funds and short supplies. If Lafayette had not been able to pay, feed, clothe, and arm his troops with his personal resources, could he have been as winning a general as he was? I suspect the answer is “No.”

Some biographers refer to Lafayette as the “victor” at Yorktown in 1781. Unger calls him a “hero” of Yorktown. Lafayette was not the only American general at Yorktown, and he wasn’t the only French general. Lafayette did use his small force to isolate Cornwallis in Yorktown, but he had to wait until Washington, Rochambeau and others arrived with sufficient forces before he participated in the final assaults.

In France he repeatedly declined to step up to the plate and take executive leadership, during the revolutionary and Napoleonic convulsions, when the French people and the contentious military/political factions would have handed the throne or the presidency of France to him on a velvet pillow. The Marquis repeatedly risked his life to defuse explosive situations by his personal, courageous intervention. However, Unger fastidiously details Lafayette’s repeated reluctance to take the final step and take control when, arguably, he could have stabilized dangerous situations, and forestalled or prevented catastrophic consequences. Lafayette wasn’t responsible for the violence, but, time after time, he left a void that unfortunately was filled by lesser men.

Was Lafayette a great man? Yes. A successful general? Yes. Was he a really lucky guy? Yes. Did he and his reputation benefit immensely from great wealth and fortuitous circumstances? Yes. Did he live up to his potential in serving France and the French nation? Maybe not.

There’s just one other thing: Unger profligately demonstrates that Lafayette and Washington had a deeply affectionate man-to-man—explicitly, like father and son—relationship, by using far too many excerpts from their numerous letters. It’s no biggie, but I had to stop reading them about halfway through the book…they bonded, I get it.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

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As with another eye: Poems of exactitude with 55 free verse and haiku poems,
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