The poetic art of Grace Butcher

The poetic art of Grace Butcher

Find an audience,

     and read out loud…

 

 

Grace Butcher’s poems

   beg to be read aloud.

 

They are narrative and artful. She writes about familiar sights and experiences, and infuses them with exceptional imagery and insight.

Indeed, “the best words in the best order.” (I’m sure Coleridge doesn’t mind being quoted endlessly…)

Butcher has a delicate touch as she strokes the fabulous effulgence of her imagination, and explores her sensitivities to life and people around her.

These are worth your time:

Child, House, World

Hiram Poetry Review Supplement No. 12, 1991

 

Deer in the Mall

Self-published by Grace Butcher

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Book review. Copyright © Richard Carl Subber 2017 All rights reserved.

 

O. Henry’s “The Gift of the Magi”

“…two foolish children…”

click here

In other words: Poems for your eyes and ears with 64 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: Waterloo by Bernard Cornwell

Book review: Waterloo by Bernard Cornwell

Celebrity battle,

      butcher’s work

         on both sides…

 

 

Book review:

Waterloo

 

by Bernard Cornwell, New York: Penguin Books, c1987, 2001.

378 pages

 

This is my first read in Cornwell’s Richard Sharpe series. It’s both brilliant and deadening. Waterloo is a celebrity battle for most people, including me before I started Waterloo, and I guess most folks know little more than the outcome: Wellington and the Prussian commander, Blücher, put an end to Napoleon’s final fantastic comeback in Europe. The Little Corporal died six years later in exile.

Cornwell is an appealing storyteller and his exacting descriptions of characters, places and the battlefield milieu are almost a reward in themselves. It’s really impossible to feel detached from what’s going on. Ay, there’s the rub. I felt distress and then full-blown horror as the fighting wound up and then wound down—nearly 50,000 men were killed or wounded in frantically compressed combat that ended on June 18, 1815, in a small valley in Braine-l’Alleud near the Belgian town of Waterloo, which gave the epic battle its name.

Even the slightly Hollywood bravery of Richard Sharpe doesn’t soften the impact of reading about the butcher’s work done on all sides in that violent meeting of men and ambitions. The somewhat formulaic treatment of the lives and loves of key characters is a slight distraction, but it really doesn’t hinder the accelerating martial excitement of Waterloo.

Cornwell is a compelling storyteller. I was greatly moved by Waterloo, but I can’t say I’m glad I read it.

As usual, I offer my kind of book summary here. This is not a standard history book. The characters and plot are all too familiar. I offer my reflections about the author’s style and about the terrible horror of the decisive battle near a little town in Belgium.

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Up for the counting

…he picks up the rhythm…(a poem)

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Book review. Copyright © Richard Carl Subber 2017 All rights reserved.

 

Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: Joseph Brant and His World

Book review: Joseph Brant and His World

“The whole genre of biographies

           is problematic”

 

Book review:

Joseph Brant and His World:

18th Century Mohawk Warrior and Statesman

 

Toronto: James Lorimer & Company Ltd., 2008.

by Dr. James W. Paxton

Associate Professor of History and Department Chair, Moravian College

B.A., University of Toronto; M.A., Virginia Polytechnic Institute and State University; Ph.D., Queen’s University, Kingston, Ontario

 

Consider the millions of people who lived in North America before Columbus “discovered” the continent. They were not savages or barbarians—they were human beings living in advanced societies.

The reader cannot doubt that Dr. Paxton respects the vibrant cultures and the cultural heritage of the North American aboriginal peoples who are among his professional interests. As an ethnohistorian, he is careful to consider the cultures of the past, and historical cultural change, in contexts that were a reality for the people who sustained those cultures.

Paxton is Associate Professor and chair of the History Department at Moravian College (Bethlehem, PA). The scope of his professional inquiry includes early America, antebellum U.S. history and the history of North America’s First People. His passion is the cultures—their antecedents, dynamic interactions, and legacies—of the peoples who were Americans before Europeans arrived beginning in the 16th century. Paxton brings candid and eloquent enthusiasm to his work.

I talked with him about this book and his views about writing and understanding history. In part, he is motivated by concern that some historians allow “the cultural assumptions of the West” to shape their understanding and interpretation of the past. Referring to biographies of historical figures, Jamie clarified an element of the ethnohistorical approach to understanding and interpreting history: “We must read a biography in the context of the [subject’s] environment—it’s hard to judge what influenced the subject, we must contextualize the person.” He cautioned that many biographers fall short of this standard (“the whole genre of biographies is problematic”). Many of the existing biographies and treatments of Joseph Brant “offer a flawed framework” of Brant’s life and cultural milieu, emphasizing a popular view that the Mohawk leader was “a man of two worlds,” that is, the respected Mohawk warrior in the Native American milieu and also the potent, Anglicized “Indian” representative who was a confidant of British colonial administrators and a transoceanic traveler who talked with King George III.

Joseph Brant (1776, by George Romney) wikimedia

            Joseph Brant                 (1776, by George Romney)

In Joseph Brant and His World, Paxton clarifies and expands his own assessment, and his commitment to contextual interpretation: “Brant was fully a Mohawk, but not a Mohawk chief; he was a New World creole, you can’t disentangle the multiple cultures he lived in . . . in aboriginal culture, there was no tradition of coerced leadership, Brant was an orator rather than a statesman . . . his wife was an influential clan mother, he was as much channeling decisions as making decisions . . . Brant’s connection to the British was important—in aboriginal culture, power was in alliances, independence was ludicrous.” Brant was not a simple “cultural chameleon” who could function in distinct Mohawk and British cultures. He was a leader who experienced and helped shape the interaction and evolution of those cultures:

“Joseph Brant was a Mohawk. He embodied the broader changes Mohawks had found useful and necessary to live in a predominantly Anglo-American world. It says much about modern myopia when we fail to note that the Mohawks’ German and Scots-Irish neighbors also found it useful and necessary to learn the Mohawk language and Haudenosaunee rituals. In important ways, the Mohawk and Grand River valleys were not racial frontiers but sites of cultural blending (p. 78).”

Joseph Brant and His World embraces the ethnohistorical commitment to explore and elaborate past cultures and cultural interactions from the point of view of the participants, respecting the milieux they sustained.

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Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

 

Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

Book review: “Bartleby, the Scrivener”

loneliness beyond understanding…

by Herman Melville

click here

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Book review: Great Tales of Terror and the Supernatural

Book review: Great Tales of Terror and the Supernatural

“The Rats in the Walls”…

 

 

Book review:

Great Tales of Terror

   and the Supernatural

 

Herbert A. Wise and Phyllis Fraser, eds.

The Modern Library, New York, 1944

1,080 pages

 

Indeed, these are great tales. The usual suspects are here: Poe, H. G. Wells, Lovecraft, Saki, Maupassant. A few tantalizing names are: Edith Wharton, Kipling, Hawthorne, Isak Dinesen…

My taste for horror and supernatural stuff is episodic, a little of it goes a long way for me. In that respect, this is a perfect volume—a reader can dip into it for a taste, then put it aside for a bit, and then go back for more.

Indeed, one reader’s horror is another reader’s trifle. Nevertheless, try reading “The Monkey’s Paw” again. Try reading “Leiningen versus the Ants” again (sure, you read it in middle school—it’s a different feel for a grown-up). Take a chance on O. Henry’s “The Furnished Room”—be prepared to be punched in the heart.

For my taste, Lovecraft’s “The Rats in the Walls” is the triumph of the genre. I first read it 50 years ago. Read it many times since. When I think about reading it again, I tremble.

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The tiny sound of the surf…

…listen for the sea…(my poem)

“A silent sea”

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Book review. Copyright © Richard Carl Subber 2017 All rights reserved.

Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Thoughtful book reviews by Rick Subber

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Poets talk about poetry

Poets talk about poetry

…no fractured, disjoint,

       inchoate grab-bags

               of words…

 

 

“A poem…begins as a lump in the throat, a sense of wrong,

                                 a homesickness, a lovesickness…” 

 

Robert Lee Frost  (1874-1963)

in his 1916 letter to Louis Untermeyer (1885-1977)

 

Frost and Untermeyer exchanged letters (imagine!) for almost 50 years. I’m pretty sure every single one of them involved more than 140 characters and spaces…think about it, when you’re actually scribbling, you don’t have to “write” a space…

There are, I guess, about a million or so ways, more or less, to define “poetry.” In 1827 Samuel Taylor Coleridge (1772-1834) offered his “homely definition” of poetry: “the best words in the best order.” Sometimes I think poetry is the manifestation of lust for the right words.

I have this lust in my heart.

I am a poet, a writer, a teacher, a moralist, a historian, and an unflinching student of human nature. Some things I’d rather not know, but I’m stuck with knowing them. I think a lot. I strive to express truth and give context—both rational and emotional—to reality.

I think words can be pictures, and lovely songs, and bodacious scents, and private flavors, and early morning caresses that wake each part of me, one at a time. I know some of those words, and, from time to time, I write some of them.

Here’s a final thought for consideration: Coleridge also advised (1832) that “…if every verse is not poetry, it [should be], at least, good sense.” That makes good sense to me. I have no tolerance for some poets’ work that is merely a fractured, disjoint, inchoate grab-bag of words. A largely random collection of words is not likely to be a poem. I like to read (and write) a beginning, and an end, and some really meaty sweetie stuff in the middle.

Coleridge’s 1827 definition of poetry is from Specimens of the Table Talk of the late Samuel Taylor Coleridge, written by Henry Nelson Coleridge and published in 1835.

Louis Untermeyer was an American poet, anthologist, critic, and editor. He was appointed the 14th Consultant in Poetry to the Library of Congress in 1961.

 

For example, read The Poetry of Robert Frost, available on Amazon

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A glimpse of the millennial dawn…

witness to the vital song of the sea…(a poem)

click here

My poetry. Copyright © Richard Carl Subber 2017 All rights reserved.

Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

Book review: Shantung Compound

They didn’t care much

      about each other…

by Langdon Gilkey

click here

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