Book review: The Financier

Book review: The Financier

channeling Gordon Gekko…

 

 

Book review:

The Financier

 

by Theodore Dreiser (1871-1945)

First published 1912, Harper and Bros., New York.

 

The Financier was written before its time.

It’s just amazing that Dreiser wrote this gritty novel in 1912, before anyone even thought of derivatives, credit default swaps, sub-prime “liar loan” mortgages, no-fault (for bankers and brokers, that is) national financial meltdowns, and politically-motivated government shutdowns. Frank Cowperwood is the ethically-challenged “financier” whose star and fortunes rise so marvelously and then collapse with equal flare. He seems so absolutely convincingly contemporary that I had recurring transient episodes of reverse déjà vu as I learned about his desperate ambition and burnout.

Frank is a first-rate villain in The Financier. He burns his friends and enemies with equal disdain, he channels Gordon Gekko with suitably theatrical energy, and he is most deliciously unrepentant when his schemes go awry, his loans get called, and then his empire crashes around him.

I emphasize “deliciously unrepentant” because, unlike the contemporary villainous free spirits of Wall Street, Frank promptly goes to jail for his crimes.

The Financier so obviously is the kind of novel that might be written by a baroque clone of Michael Lewis. If you’d like to work out a bit of the residual rage you feel about the man-made financial cesspool we wallow in, try this American classic.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

O. Henry’s “The Gift of the Magi”

“…two foolish children…”

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Writing Rainbows: Poems for Grown-Ups with 59 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: Lafayette by Harlow Unger

Book review: Lafayette by Harlow Unger

A hero, not a saint

 

 

Book review:

Lafayette

 

by Harlow Giles Unger (b.1931)

Hoboken, NJ: John Wiley & Sons, Inc., 2002

452 pages

 

I acknowledge the obvious: Unger fully entertains in recounting that Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier de la Fayette was a national, military, political and, indeed, a paternal hero to millions in America and France during the American and (several) French revolutions.

There is no doubt that, despite the fact that he was one of the richest French nobles of his time, Lafayette was publicly and privately dedicated to republican government and a social/economic order that was far more egalitarian than the monarchical and aristocratic structures that prevailed.

Was he a great man? Unger, like many of his biographers, says yes. Lafayette was a courageous battlefield leader, he was an enlightened manorial lord who enhanced the lives of his peasants, and he was both outspoken and fearless, repeatedly, in literally dangerous political situations for a couple decades in Revolutionary and Napoleonic France. Unger amply—even poetically—demonstrates these lifelong characteristics of the man Americans called “our Marquis.”

I also feel obliged to call attention to some countervailing factors that Unger fully describes but does not adequately interpret.

Lafayette put his money where his mouth was. He repeatedly used his great personal wealth to pay and outfit the troops he commanded, when government funds and supplies ran low. I suggest a case could be made that the Marquis, uniquely among American commanders, paid for his military success in the Revolutionary War. Throughout the war, the options and operations of colonial commanders were significantly hindered by short funds and short supplies. If Lafayette had not been able to pay, feed, clothe, and arm his troops with his personal resources, could he have been as winning a general as he was? I suspect the answer is “No.”

Some biographers refer to Lafayette as the “victor” at Yorktown in 1781. Unger calls him a “hero” of Yorktown. Lafayette was not the only American general at Yorktown, and he wasn’t the only French general. Lafayette did use his small force to isolate Cornwallis in Yorktown, but he had to wait until Washington, Rochambeau and others arrived with sufficient forces before he participated in the final assaults.

In France he repeatedly declined to step up to the plate and take executive leadership, during the revolutionary and Napoleonic convulsions, when the French people and the contentious military/political factions would have handed the throne or the presidency of France to him on a velvet pillow. The Marquis repeatedly risked his life to defuse explosive situations by his personal, courageous intervention. However, Unger fastidiously details Lafayette’s repeated reluctance to take the final step and take control when, arguably, he could have stabilized dangerous situations, and forestalled or prevented catastrophic consequences. Lafayette wasn’t responsible for the violence, but, time after time, he left a void that unfortunately was filled by lesser men.

Was Lafayette a great man? Yes. A successful general? Yes. Was he a really lucky guy? Yes. Did he and his reputation benefit immensely from great wealth and fortuitous circumstances? Yes. Did he live up to his potential in serving France and the French nation? Maybe not.

Just one other thing: Unger profligately demonstrates that Lafayette and Washington had a deeply affectionate man-to-man—explicitly, like father and son—relationship, by using far too many excerpts from their numerous letters. No biggie, but I had to stop reading them about halfway through the book…they bonded, I get it.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

 

In other words: Poems for your eyes and ears with 64 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
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Book review: The Adventures of Sherlock Holmes

Book review: The Adventures of Sherlock Holmes

Holmes’ haughty generosity…

 

 

Book review:

The Adventures of

       Sherlock Holmes

 

by Sir Arthur Ignatius Conan Doyle (1859-1930)

He’s the creator of crime fiction and that ace crimestopper, Sherlock Holmes

 

I’m re-reading some of Doyle’s “Sherlock Holmes” adventures, including several that are new to me…yes, yes, of course I read “The Five Orange Pips” again, doesn’t everyone?

This time I tried “The Adventure of Lady Frances Carfax” and “The Adventure of the Sussex Vampire” and a few others.

My first encounter with the exploits of Sherlock Holmes when I was too young to be entertained by anything but the action. With that constraint, “The Hound of the Baskervilles” was somewhat boring, and “The Adventure of the Six Napoleons” was simply pedestrian. The Complete Sherlock Holmes languished on my “To Read” list for years.

Now I am an older, more aesthetic fancier of the agile mind and the haughty generosity and the dimensioned humanity of Sherlock Holmes. Time after time, Holmes austerely allows Lestrade to claim a vaunted reputation that is too often boosted by the singular and covert prowess of Holmes himself. Holmes always takes the opportunity to be genteelly solicitous to the frightened widow. Despite his loveless bachelorhood, he is charmed by young lovers and easily condones their righteous excesses. He can be excited by discovery, and clap at each revelation, with the innocence of a child.

But still—the fabulous boarder at 221B Baker Street has no fear of the nastiest brute…Holmes will leap—leap!—onto the back of an escaping felon…he will defy the powerful and the villainous alike, in defense of the letter of the law and in obedience to humane justice…

Holmes is a good man, indeed.

His adventures are good reading, time after time.

 

p.s. the venerable Basil Rathbone probably is the best known of the on-screen Holmes personae, but Jeremy Brett is the best.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

 

 

Book review: The Bartender’s Tale

Ivan Doig’s story, I mostly loved it…

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My first name was rain: A dreamery of poems with 53 free verse and haiku poems,
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Book review: Saint Joan

Book review: Saint Joan

Shaw’s calm dissection

      of the myths…

 

 

Book review:

Saint Joan

 

by George Bernard Shaw

Baltimore, MD: Penguin Books, 1964

159 pages, with extended Preface by Shaw and Epilogue

 

I read Saint Joan as a high school kid in 1964. I don’t remember much about that reading, except that I never forgot these words that Shaw wrote for his Joan: “I cannot bear to be hurt.”

It always seemed to me that Jehanne d’Arc (c1412-1431) could be the symbol of an innocent, profoundly driven young woman who was victimized by events that made a sweep in history, yet had only personal inspiration for her.

Joan of arc drawing wikimedia 1429 Contemporaine_afb_jeanne_d_arc

Sketch of Joan from life, 1429

In France, Joan is familiar as “the maid.” Did “la pucelle d’Orléans” (the maid of Orleans) really see and hear the Archangel Michael, St. Margaret, and St. Catherine? Who knows? Was Jehanne a religious nutcase who made confession every day and liked to play soldier? Who knows? Did she inspire great and not-so-great men to do mighty and courageous things in the service of their masters and for the glory of France? She did.

 

 

 

Shaw’s lengthy Preface to his play is a calm dissection of the myths and reality of this young woman, a noble and pitiable mover-and-shaker who led French armies to victory and who was burned at the stake for heresy and for cross-dressing. In Saint Joan, Shaw has few kind words for the men who resisted, accepted, honored, used, betrayed, burned, and finally beatified a peasant girl from Domrémy-la-Pucelle in northeastern France.

The folks in her home town finally named the village for her in 1578. You could say it was the least they could do while they were waiting for the Catholic church to make her a saint in 1920.

 

Shaw’s sympathetic treatment of The Maid inspired me to write this poem:

 

la pucelle

 

Joan, Joan, Joan…

O, you trusted your dream,

you thought it was enough to heed your voices,

you thought that God was on your side

and nothing else mattered,

you risked your beautiful soul

to save France,

and you didn’t understand

that too many of the men wanted

to win something else,

you went to the fire believing

in an eternity of goodness,

and you never knew

how little of your dream was left

for the people who loved you.

 

October 22, 2018

Inspired by George Bernard Shaw’s Saint Joan

My poem “la pucelle” was published in my fourth collection of 55 poems, As with another eye: Poems of exactitude. You can buy it on Amazon (paperback and Kindle), or get it free in Kindle Unlimited (search for “Richard Carl Subber”)

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Book review. My poetry. Copyright © Richard Carl Subber 2018 All rights reserved.

 

The Black Canyon of the Gunnison

“…high above that wild width…”

(my poem)

click here

 

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: These Truths: A History of the United States

Book review: These Truths: A History of the United States

We don’t know

     how it’s going to turn out…

 

 

Book review:

These Truths:

    A History of the United States

 

by Jill Lepore

New York: W. W. Norton & Company, 2018

932 pages, including fabulous extended note, bibliography, index

 

 

Jill Lepore makes it easy to read authoritative accounts of our history as a nation. She is already a venerable historian.

These Truths offers two things that I crave when I’m reading/learning history: context, and a penetrating commitment to seek truth in terms of what they were thinking and what they knew way back when.

One of the thrilling and challenging realities of studying history is this humdinger: pick your time in history, and you can say “They didn’t know how it would turn out.”

Barely weeks away from the November 1864 presidential election, Abraham Lincoln expected that he would lose his bid to stay in office.

Hannibal didn’t know what the other side of the Alps looked like, and didn’t know what he would find there, if he made it across.

Eli Whitney was tinkering in the shop in 1793, watching a cat trying to pull a chicken through a fence, when he invented the cotton gin—he didn’t know that the machine would make slave-based cotton agriculture a booming industry in the 19th century before the American Civil War.

Lepore puts a lot of history into These Truths. Her scholarship and her insights make it obvious that every reader has a lot to learn.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

Book review: Shawshank Redemption

A world I do not want to know…

by Stephen King

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Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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A tempest in a prison

A tempest in a prison

Alas, Atwood didn’t use

   Shakespeare’s pen

 

 

Book review:

Hag-Seed

 

by Margaret Atwood, New York: Hogarth Shakespeare, Crown Publishing Group, 2016

 

I’m not a fan of writers who write books that are imitations or re-interpretations of other writers’ work. Hag-Seed is a case in point. Let’s be fair. Shakespeare’s plays are complex assemblages of characters, speeches and plots. Atwood’s work, nominally based on The Tempest, has the same characteristics.

Her prose and dialogue are ordinary, for my taste. Her story is about as far as one can get from magical. Of course a reader can figure out which of her characters is aligned with Shakespeare’s Prospero and Caliban and Miranda and so on. Of course a reader can see a transparent image of Shakespeare’s plot.

For my taste, Hag-Seed is an awkward, deliberately mean, and desperately inelegant version of The Tempest.

Cut loose from the Shakespeare connection, Hag-Seed is low-grade storytelling. IMNSHO.

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…and now for something completely different:

 

Hag-seed

 

Their hands are busy, rhythmic moves,

the three bend in to pace their work,

all hunched, with withered, trembling hands,

with eyes alert,

and silent lips that need not speak

the thoughts they share.

 

These crones engage each day to toil,

they do not keep a pot a-boil…

but a warming fire, as they need.

From different skeins

they draw their custom works in needled plait,

these hags intent on what’s in hand,

and hushed in awe of what’s at hand,

they huddle, each to each,

all cloaked in drab and drear,

their plainest miens

betray the luminous welling of their keenest joy,

and one of them, in blooming,

swells the hearts of all.

 

A spark of expectation lights and lightens

the artful labor of their crabbed fingers,

grasping small things of great portent—

a tiny cap, a shawl, a swaddling robe—

for the child to be born.

 

In waiting they are ladies

bound in common by certainty

and their exaltation

in believing that the babe will be a girl—

a budding rose without a thorn.

 

January 29, 2017

My poem “Hag-seed” was published January 23, 2018, in my second collection of 47 poems, Seeing far: Selected poems. You can buy it on Amazon (paperback and Kindle), or get it free in Kindle Unlimited, search for “Richard Carl Subber”

It’s easy to remember the sauce

(my nature poem)

“Debut”

click here

 

The Reader (Der Vorleser)

Not just a rehash of WWII…

by Bernhard Schlink

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I offer my kind of thoughtful book summary above. I write a serious review about almost every book I read. You can read other reviewers to get a detailed summary of what the book offers, and to learn specifics about the characters and plot. My reflective commentary is stimulated by the contents and the overall impact of the book, be it a love story or a history or a treatise or classic literature… Generally, I don’t have to post a spoiler alert. I’ll tell you about aspects of the book—the good, the bad, and the ugly—that make it exceptional. I’ll give you something to think about.

Your comments on my poems, book reviews and other posts are welcome.

Book review. My poetry. Copyright © Richard Carl Subber 2018 All rights reserved.

 

My first name was rain: A dreamery of poems with 53 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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