Book review: The Scarlet Letter

Book review: The Scarlet Letter

slow-cooked human nature…

 

 

Book review:

The Scarlet Letter

 

by Nathaniel Hawthorne, London: Collins’ Clear-Type Press, 1850

368 pages

 

This is magnetic literature. The Scarlet Letter pulls me in, and keeps me connected to Hawthorne’s compelling exposure of slow-cooked human natures.

As I turn the pages, I put my hands on the beating hearts of Arthur Dimmesdale and Hester Prynne.  Dimmesdale flails in the crass miasma of his weakness. Hester does not try to escape her torment, and she creates iconoclastic goodness in nearly everything she does. They came close to escaping their time.

The scarlet letter of Hester’s ignominy is perhaps the least destructive element of this story of love that is a transgression and a transforming secret.

There is so much emotion and too little joy in Hawthorne’s tale of 17th century lovers. Alas, the story line is viciously inescapable.

Here’s another thought: as the story is commonly known and discussed, there is hardly enough engagement with the essential role of little Pearl, the happy-go-lucky and morbidly insightful child whose experience is vital in every chapter. Pearl is a connector in every element of the tale.

 

I don’ think you’ll have any trouble believing this:

after publication of The Scarlet Letter, Hawthorne described it as “positively a hell-fired story, into which I found it impossible to throw any cheering light.”

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

Book review: Lord of the Flies

It was never more relevant…

by William Golding

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Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: The Bartender’s Tale

Book review: The Bartender’s Tale

you know this country…

 

 

Book review:

     The Bartender’s Tale

 

by Ivan Doig (1939-2015)

Riverhead Books, Penguin Group (USA) Inc., New York, 2012

387 pages

 

If you’re an Ivan Doig fan, like me, this one will easily endear itself to you. It’s Ivan Doig-ish and it’s about a 12-year-old boy growing up with his father, in a saloon, in Gros Ventre, a likable-enough town with likable-enough people in Two Medicine country, in Montana, where the sheep are. If you’re an Ivan Doig fan, you sort of know this kind of country.

Spoiler alert: it ain’t This House of Sky. Pause. Repeat, for effect.

On the other hand, 12-year-old Rusty is a magnet for life experiences, he is a perceptive if sometimes innocent observer of what life crams into his young world, he ingenuously feels the first throbs of grown-up sadness, young love, careless aspiration, and fear of life-changing events that he sometimes only clumsily understands. Rusty is the kind of character that Doig understands.

Rusty’s relationship with his dad grows and changes from the first page to the last—for me, this plot thread is at least as compelling as the boy’s fantastic and wonderfully articulate transition from kid to person. Rusty learns from Tom even when Tom isn’t teaching, even when Tom is struggling with mysteries himself. Rusty listens in on Tom’s grown-up and sometimes overwhelming life, especially in the back room of the Medicine Lodge saloon….and the back room is stage center for Rusty and Zoe, his 12-year-old consort in young love and great adventures.

On the other hand, you see, The Bartender’s Tale is about a whole lot more than Rusty, and Tom, and Zoe. Too much more, I dare to say. For my taste, Doig gives us too many secondary characters who have primary roles, too many plot turns jumbled together, and too many momentous surprises, and here I’m trying sincerely to avoid using the distasteful word “contrived” but I think I can’t quite help myself….

Of course, I realize this sounds a bit like the Emperor telling Mozart that his music has “too many notes.” Forgive me.

Mostly I loved The Bartender’s Tale. Really, I couldn’t put it down. Really. Repeat, for effect.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

Book review: The Sea Runners

…it informs, it does not soar…

by Ivan Doig

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Above all: Poems of dawn and more with 73 free verse poems,

and the rest of my poetry books are for sale on Amazon (paperback and Kindle)

and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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The Go-Between…romance and deception

The Go-Between…romance and deception

An admonition about the past …

 

The wisdom of L. P. Hartley

 

“The past is a foreign country:

          they do things differently there.”

L. P. (Leslie Poles) Hartley (1895–1972)

 

This is the celebrated first line of  The Go-Between, Hartley’s novel of Victorian romance and deception published in London in 1953. It can mean whatever you make of it.

I take it as an admonition…one must try to be aware of the unique and partly (perhaps completely) inaccessible context that framed the actions and outlooks of those who did things we think we’re interested in. It’s not easy to think and feel as the Romans did…

The 1970 movie with Julie Christie and Alan Bates is a genuinely throbbing, set-your-teeth-on-edge rendition of the book…give the book or the movie a try.

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Puppy space

…if dogs could write poems…

click here

Copyright © Richard Carl Subber 2018 All rights reserved.

Writing Rainbows: Poems for Grown-Ups with 59 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

Book review: To Serve Them All My Days

by R. F. Delderfield

A beloved teacher,

        you know this story…

click here

 

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Book review: Sketches by Boz

Book review: Sketches by Boz

The buzz about Boz!

 

Of course, they don’t write ‘em like this anymore.

Hooray for Charles Dickens (1812-1870). I’m talking about Sketches by Boz, his first book published in 1836.

I’m talking not only about the obvious point (Dickens has been dead these many years), but also about my understanding of the palpably inimitable Dickensian style.

Dickens does not fail to offer, time after time after time, character portraits that spring to life as you turn the pages—he sketches his characters with disinterested honesty, stout-hearted realism, generous indulgence, often a touch of whimsy…

 A case in point: “The Four Sisters,” who inhabit No. 25 Gordon Place in Sketches by Boz. In his brief (five pages) exposition of these cloistered ladies, Dickens ventures to create four personae that are not, will not, cannot be demeaned as a stereotype.

The Miss Willises—the master doesn’t trouble himself about not calling them the Misses Willis—are a scream, in a fastidiously literary kind of way.

Here’s a taste:

“The house was the perfection of neatness—so were the four Miss Willises. Everything was formal, stiff, and cold—so were the four Miss Willises. Not a single chair of the whole set was ever seen out of its place—not a single Miss Willis of the whole four was ever seen out of hers. There they always sat, in the same places, doing precisely the same things at the same hour…They seemed to have no separate existence, but to have made up their minds just to winter through life together…The eldest Miss Willis grew bilious—the four Miss Willises grew bilious immediately. The eldest Miss Willis grew ill-tempered and religious—the four Miss Willises were ill-tempered and religious directly. Whatever the eldest did, the others did, and whatever anybody else did, they all disapproved of…”

I think this passage, like so many scenes in Dickens, is a singularity.

Re-reading Dickens is a singular treat for me.

 

You’re right, this is not quite a book review. I have a love affair with words, the carefully chosen words, words that express in exceptional ways the boundless variety of our thoughts, experiences, and emotions. I think a lot about life, the human condition, loving relationships with others, and the many levels of beauty, serenity, and delight in our natural environment. Reading the pithy words of real wordsmiths is always a learning opportunity.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

Book review: The Blithedale Romance

by Nathaniel Hawthorne, not his best…

click here

Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: How to Read a Poem

Book review: How to Read a Poem

Poetry is…wait for it…

 

 

Book review:

How to Read a Poem

  and Fall in Love with Poetry

 

by Edward Hirsch

New York: A DoubleTakeBook, Harcourt Brace and Co., 1999

354 pages

 

How to Read a Poem is a many-splendored reference work for poets.

Try to forget that Hirsch is a bit lazy and ends up saying that poetry is everything.

Many of his short essays are luscious.

If you’re interested, you can learn some good stuff here.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

 

 

Book review: Shakespeare’s Wife

Germaine Greer went overboard a bit…

click here

Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: Who Built America?

Book review: Who Built America?

…men who brought

    their own shovels to work…

 

 

Book review:

Who Built America?

Working People

   and the Nation’s Economy,

   Politics, Culture, and Society,

   Vol. 1 To 1877

 

by Christopher Clark and Nancy A. Hewitt

New York: Worth Publishers, 2000

721 pages, with a substantial Appendix and index

 

Who Built America? is a comprehensive, widely sourced reference work that tackles the story of the actual building of America and our cities, commerce/industries, and infrastructures.

Clark and Hewitt give full respect to the groups of people who labored to do so: native Americans, women and children, minorities, and immigrants are fully credited.

I think that a useful feature is the summary chronology and suggested complementary readings at the end of each chapter.

Who Built America? is a go-to reference for any serious student of American history.

Volume 2, covering the Reconstruction through the end of the 20th century, is an equally appealing component of this series published by the American Social History Project, City University of New York.

This 2000 edition of Who Built America? was written by Christopher Clark and Nancy A. Hewitt, based on the original edition written by Levine, Brier, Brundage, Countryman, Fennel, and Rediker.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

 

Book review: Forced Founders

by Woody Holton

The so-called “Founding Fathers”

weren’t the only ones

who helped to shape our independence…

click here

Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

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