“…blush of night…”…”Show time,” my poem

“…blush of night…”…”Show time,” my poem

take another look…

 

 

Show time

 

The final scene again:

 

the brash star of day

   livens the broad sky,

all blaze and streak

   in slow tumble of light,

and vaunting gush

   and thrash of cloud…

 

the cascade and fleeting splash of shadows

   betrays the deepening blush of night…

 

the star of day takes center stage

   and blooms across the sky,

and now: the curtain call…

 

and see!

the house lights look like stars.

 

April 10, 2018

*   *   *   *   *   *

My poetry. Copyright © Richard Carl Subber 2023 All rights reserved.

 

Book review: Shakespeare’s Wife

Germaine Greer went overboard a bit…

click here

My first name was rain: A dreamery of poems with 53 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

Your comments are welcome—tell me what you’re thinking.

*   *   *   *   *   *

“…hirpling with pain…” Beowulf got it right

“…hirpling with pain…” Beowulf got it right

the right words

 

“He is hasped

     and hooped

          and hirpling with pain…”

 

Beowulf describing the wounded dragon, Grendel

Beowulf, p. 65

Seamus Heaney, trans.

New York, W. W. Norton and Company, 2000

 

Beowulf, the Old English epic poem, was written more than a thousand years ago. No one knows who wrote  it.

He or she had a way with words.

*   *   *   *   *   *

Copyright © Richard Carl Subber 2023 All rights reserved.

 

Book review: Cleopatra: A Life

…don’t even think

about Gordon Gekko…

by Stacy Schiff

click here

Writing Rainbows: Poems for Grown-Ups with 59 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

“…the gestalt of words…”…”456,” my poem

“…the gestalt of words…”…”456,” my poem

…a reverie of imagination

 

 

456

 

Time becomes energy.

 

The clean slate waits for the first mark,

she will make that stroke

   when she is ready,

she moves beyond not knowing,

as she unwinds the calculus of understanding,

and lightly trembles

   with the gentle passion of curiosity.

 

She learns new tools

   and learns that mistakes can be erased

      after they have done their work.

 

Persistence is a new glee,

she turns the cat’s cradle of unknowns

   in her reverie of imaginations,

and forgets to look up from her book,

learns to welcome the gestalt

   of words on the previous page…

she coolly adds 137 and 319

   in her head,

and with her chalk pencil

   she writes the secret sum.

 

November 14, 2020

Inspired by Die Hausaufgabe (The Homework), painted in 1893 by Simon Glücklich (1863-1943)

*   *   *   *   *   *

My poetry. Copyright © Richard Carl Subber 2023 All rights reserved.

 

“Fishering,” by Brian Doyle

…what meets the eye…

click here

In other words: Poems for your eyes and ears with 64 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

Your comments are welcome—tell me what you’re thinking.

*   *   *   *   *   *

A deadly masquerade of amour…Les Liaisons Dangereuses

A deadly masquerade of amour…Les Liaisons Dangereuses

…death is an anticlimax…

 

 

Book review:

Les Liaisons Dangereuses

 

by Pierre-Ambroise Choderlos de Laclos

Originally published 1782

Translated as Dangerous Liaisons by Ernest Dowson, New York: Doubleday, 1998

Illustrations by Sylvain Sauvage

 

Les Liaisons Dangereuses is not a garden of delight.

This is a book about love, but the reader will find precious little of it in these pages.

An acquaintance dismissed this voluptuous tale, thus: “All they do is talk.”

Let’s begin there. The language is rich. I daresay that Laclos turns language into an erogenous zone in Les Liaisons Dangereuses.

If you aspire to a working understanding of good and evil, you could do worse than listen to the riveting chatter of the leading personae, who choose each word with careful, deliciously ribald, austerely cruel, and domineering intent. You really don’t want to be a friend, and you most assuredly don’t want to be an enemy.

Men, en garde! The Marquise de Merteuil impulsively thinks of cojones as table ornaments.

Ladies, away! The Vicomte de Valmont is a pirate lover, he sees women as prize ships ready for boarding.

One might wish to believe that the others are innocents: Cécile Volanges, Danceny, the Présidente de Tourvel. But, hold. Each of them seeks to play the game of love, but they are hardly able to distinguish winning from losing.

Yes, this is a boundless exposé of the worst elements—of human intrigue, self indulgence, hubris, vaunting egos, and careless poaching of souls—that masquerade as amour.

Yes, in a sense, the characters are stereotypes, but each is, remarkably, ingeniously, ingenuously, a masterpiece of the type. Laclos uses every pertinent word to make them real.

Yes, Les Liaisons is an ultimately degraded experience for both the characters and readers…ultimately, the reader must condemn the Marquise and the Vicomte for so many lives destroyed…death is an anticlimax in Liaisons Dangereuses.

The Marquise and the Vicomte are burdened with a moral framework that shuns the absolute—they have unimaginably unsatisfied desires, and no intellectual elaboration of right and wrong.

Yet, a gentle reader may offer these two a bare shred of pity.

The Marquise de Merteuil and the Vicomte de Valmont swirl through their lives, casually jousting with each other as they amuse themselves in controlling the fates of other men and women, but remaining unaware that they are not in control of their own fates.

 

Note for bibliophiles: Whether you read this in the original French, or in the lush translation by Ernest Dowson, accept the pain of experiencing a literary style that is no longer in vogue, prepare yourself for Laclos’ fabulous late 18th century style that discards a simple declarative sentence, readily, with apparent joy, whenever a sentence heavily laden with clauses, phrases, and modifiers will do just as well, heedless of the effect on a reader, whose inclination may be to appreciate the writhing drama of this story, with somewhat fewer words.
*   *   *   *   *   *

Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

 

Book review: The Snow Goose

…sensual drama, eminently poetic…

by Paul Gallico

click here

My first name was rain: A dreamery of poems with 53 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

“…one clean, bursting, raptured ideal…”…my poem

“…one clean, bursting, raptured ideal…”…my poem

The pushing, potent, heaving…

 

 

Poesy

 

This is, nearly, what it’s like.

 

Magma flowing cool, I think,

is nearly right,

the swelling flow,

quite nearly right.

 

The pushing, potent,

familiar overflowing burden,

is quite nearly truly right.

 

The heaving rush in one clean moment,

of one clean, bursting, raptured ideal,

it speaks the straining gush of simple words

   that stream around and through,

cool fire sparking

   as they merge and touch

      and match and lodge together.

 

This is nearly, quite truly,

nearly certain,

quite nearly right.

 

April 3, 1996

Sanibel Island, Florida

*   *   *   *   *   *

My poetry. Copyright © Richard Carl Subber 2023 All rights reserved.

 

How does a poem end?

Finis,” my thoughts (my poem)

click here

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

Your comments are welcome—tell me what you’re thinking.

*   *   *   *   *   *

Twice-Told Tales by Hawthorne (book review)

Twice-Told Tales by Hawthorne (book review)

enticements to lingering reverie…

 

 

Book review:

 

Twice-Told Tales

 

by Nathaniel Hawthorne (1804-1864)

London: J.  M. Dent & Sons, Ltd.

First published in 1837 (first series) and 1842 (second series)

This edition first printed 1911, reprinted 1964.

357 pages.

 

We preserve the remnants of our youth in chambers of the brain that often are, for good or ill, inaccessible to our conscious minds.

The baubles of memory in Twice-Told Tales are potent sparks that guide us to the once-remembered moments, the enticements to lingering reverie that fills new moments with newly imagined memories that rescue us from once-remembered despair, and fill the blank spaces with second chances.

Hawthorne collected such moments of youth, such bauble treasure, in “Dr. Heidegger’s Experiment,” in the fertile and fervid desperations of four venerable friends who eagerly swallow an elixir that boosts them to a capering re-enactment of their youth—but oh, so brief, so immaterial, so ephemeral that the long glass in the room can only reflect their withered miens, and none of the hot young beauty that they see again, for precious moments, in the emboldened gazes that they share.

Hawthorne’s Twice-Told Tales include “Dr. Heidegger’s Experiment” and 38 other short stories (originally published in 1837 and 1842) showing off his evocative prose, and embracing a wide range of human emotions.

You’ll be able to find something you like.

*   *   *   *   *   *

Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

 

Book review:

The American Revolution: A History

The “Founders” actually were afraid

         of “democracy”…

by Gordon S. Wood

click here

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

Pin It on Pinterest