Book review: The Scarlet Letter

Book review: The Scarlet Letter

slow-cooked human nature…

 

 

Book review:

The Scarlet Letter

 

by Nathaniel Hawthorne, London: Collins’ Clear-Type Press, 1850

368 pages

 

This is magnetic literature. The Scarlet Letter pulls me in, and keeps me connected to Hawthorne’s compelling exposure of slow-cooked human natures.

As I turn the pages, I put my hands on the beating hearts of Arthur Dimmesdale and Hester Prynne.  Dimmesdale flails in the crass miasma of his weakness. Hester does not try to escape her torment, and she creates iconoclastic goodness in nearly everything she does. They came close to escaping their time.

The scarlet letter of Hester’s ignominy is perhaps the least destructive element of this story of love that is a transgression and a transforming secret.

There is so much emotion and too little joy in Hawthorne’s tale of 17th century lovers. Alas, the story line is viciously inescapable.

Here’s another thought: as the story is commonly known and discussed, there is hardly enough engagement with the essential role of little Pearl, the happy-go-lucky and morbidly insightful child whose experience is vital in every chapter. Pearl is a connector in every element of the tale.

 

I don’ think you’ll have any trouble believing this:

after publication of The Scarlet Letter, Hawthorne described it as “positively a hell-fired story, into which I found it impossible to throw any cheering light.”

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

Book review: Lord of the Flies

It was never more relevant…

by William Golding

click here

 

Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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“Fishering,” by Brian Doyle

“Fishering,” by Brian Doyle

“…I think maybe there is much…

 

 

The art of Brian Doyle

 

Brian Doyle (1956-2017) had the gift.

“Fishering” is an obscure, potent piece from his pen that gives me a double whammy: something like a child’s innocent joy of discovery, and something like the experienced master’s startled awareness of a new way of understanding…

Doyle, almost tenderly, pulls back the curtain on a scene of brutal splendor, of nature red in tooth and claw, of the mysterious reality of survival that we humans rarely face, of the beauty of power that does violence without evil in an unresisted cycle of life and death:

 

“I think maybe there is much

where we think there is nothing.”

 

Brian Doyle

He was an author and editor of Portland Magazine at the University of Portland

from “Fishering,” in the March 6, 2006, issue of High Country News

 

Doyle’s story just draws in the horizons until I am in a small space, contemplating a feat of nature that is alien, but beautiful…I guess I hope I never see a ferocious fisher face to face, I’m not too sure I could calmly sit down and watch it as Brian did, but  the monumental fleeting truth is that I wish I could do what he did and see the thing, out there, and have a wonderful, fearful, essential moment of contact to remember…I want to try to be open to the moments in life when there can be much, instead of nothing…

For your delectation, read this excerpt of:

 

“Fishering” by Brian Doyle

 

“In the woods here in Oregon there is a creature that eats squirrels like candy, can kill a pursuing dog in less than a second, and is in the habit of deftly flipping over porcupines and scooping out the meat as if the prickle-pig were merely a huge and startled breakfast melon.

“This riveting creature is the fisher, a member of the mustelid family that includes weasels, otter, mink, badger, ferrets, marten, and — at the biggest and most ferocious end of the family — wolverine…

“…Suffice it to say that I have been much graced in these woods, but to see a fisher was not a gift I expected. Yet recently I found loose quills on a path, and then the late owner of the quills, with his or her conqueror atop the carcass staring at me.

“I do not know if the fisher had ever seen a human being before. It evinced none of the usual sensible caution of the wild creature confronted with homo violencia, and it showed no inclination whatsoever to retreat from its prize. We stared at each other for a long moment and then I sat down, thinking that a reduction of my height and a gesture of repose might send the signal that I was not dangerous, and had no particular interest in porcupine meat. Plus, I’d remembered that a fisher can slash a throat in less than a second.

“Long minutes passed. The fisher fed, cautiously. I heard thrushes and wrens. I made no photographs or recordings, and when the fisher decided to evanesce I did not take casts of its tracks, or claim the former porcupine as evidence of fisherness. I just watched and listened and now I tell you. I don’t have any heavy message to share. I was only a witness: Where there are no fishers, there was a fisher. It was a stunning creature, alert, attentive, accomplished, unafraid. I think maybe there is much where we think there is nothing. Where there are no fishers, there was a fisher. Remember that.”

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Copyright © Richard Carl Subber 2018 All rights reserved.

My first name was rain: A dreamery of poems with 53 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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The Black Canyon of the Gunnison

“…high above that wild width…”

(my poem)

click here

 

 

For a change of pace,

read this book review

of one woman’s desperate childhood,

The Homeplace by Marilyn Nelson

click here

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A quote from General Custer

A quote from General Custer

…big talker

 

 

“There are not enough Indians

  in the world

  to defeat the Seventh Cavalry.”

 

General George Armstrong Custer  (1839-1876)

 

 

OK, let’s walk that one back a bit…

It wasn’t the quotation that got Custer in trouble.

Let’s talk about the Lakota and Cheyenne and Arapaho warriors—roughly 1,836 of them—at the Little Bighorn River in Montana on June 25, 1876…

Custer may have skipped a couple lectures at West Point, where he graduated at the bottom of his class (the “goat”) in 1861…he amassed 726 demerits, close to the school record.

No one cared about his West Point demerits at the Battle of Greasy Grass.

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Copyright © Richard Carl Subber 2018 All rights reserved.

 

Book review:

Collected Poems of Sara Teasdale

Full of her passion, not mine…

click here

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: Lord of the Flies

Book review: Lord of the Flies

Hedonism, barbarism, reality…

 

 

Book review:

Lord of the Flies

 

by William Golding (1911-1993)

Published 1954

 

It’s just possible that you’ve never heard of this book (or the 1963 movie). Try the book first. Its sustained drama shames the movie. Half of the movie is about boys in tattered clothing running through the forest—that’s not what Lord of the Flies is all about.

I dare to give this briefest possible summary: a transoceanic flight loaded with young British schoolboys crashes near an uninhabited island. The surviving boys (no adults) struggle to create and maintain a primitive civitas.

They fail. Their attempt at the simplest kind of self-government is wrecked by a cohort of boys who are persuaded by the charismatic, sociopathic Jack to indulge their inclinations to hedonism and barbarism. Ralph’s idealistic efforts to establish order are fruitless. Jack’s “hunters” end up killing two of their fellows before the grown-ups arrive to rescue them.

Golding’s Lord of the Flies pushes any defender of the common good to despair of “civilized” behavior that benefits all.

 

p.s. there are painfully disturbing similarities between Lord of the Flies and Shantung Compound: The Story of Men and Women Under Pressure (give this one a try, too).

NB. “Beelzebub” or “Baal-zebub” is translated “lord of the flies.”

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Book review: Hag-Seed

by Margaret Atwood…it ain’t Shakespeare

click here

 

Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

Writing Rainbows: Poems for Grown-Ups with 59 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Poets talk about poetry

Poets talk about poetry

…no fractured, disjoint,

       inchoate grab-bags

               of words…

 

 

“A poem…begins as a lump in the throat, a sense of wrong,

                                 a homesickness, a lovesickness…” 

 

Robert Lee Frost  (1874-1963)

in his 1916 letter to Louis Untermeyer (1885-1977)

 

Frost and Untermeyer exchanged letters (imagine!) for almost 50 years. I’m pretty sure every single one of them involved more than 140 characters and spaces…think about it, when you’re actually scribbling, you don’t have to “write” a space…

There are, I guess, about a million or so ways, more or less, to define “poetry.” In 1827 Samuel Taylor Coleridge (1772-1834) offered his “homely definition” of poetry: “the right words in the right order.” Sometimes I think poetry is the manifestation of lust for the right words.

I have this lust in my heart.

I am a poet, a writer, a teacher, a moralist, a historian, and an unflinching student of human nature. Some things I’d rather not know, but I’m stuck with knowing them. I think a lot. I strive to express truth and give context—both rational and emotional—to reality.

I think words can be pictures, and lovely songs, and bodacious scents, and private flavors, and early morning caresses that wake each part of me, one at a time. I know some of those words, and, from time to time, I write some of them.

Here’s a final thought for consideration: Coleridge also advised (1832) that “…if every verse is not poetry, it [should be], at least, good sense.” That makes good sense to me. I have no tolerance for some poets’ work that is merely a fractured, disjoint, inchoate grab-bag of words. A largely random collection of words is not likely to be a poem. I like to read (and write) a beginning, and an end, and some really meaty sweetie stuff in the middle.

Coleridge’s 1827 definition of poetry is from Specimens of the Table Talk of the late Samuel Taylor Coleridge, written by Henry Nelson Coleridge and published in 1835.

Louis Untermeyer was an American poet, anthologist, critic, and editor. He was appointed the 14th Consultant in Poetry to the Library of Congress in 1961.

 

For example, read The Poetry of Robert Frost, available on Amazon

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A glimpse of the millennial dawn…

witness to the vital song of the sea…(a poem)

click here

My poetry. Copyright © Richard Carl Subber 2017 All rights reserved.

Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

Book review: Shantung Compound

They didn’t care much

      about each other…

by Langdon Gilkey

click here

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Book review: The Bridges of Madison County

Book review: The Bridges of Madison County

Book review:

The Bridges of Madison County

 

by Robert James Waller (1939-2017)

New York: Warner Books Inc., 1992

171 pages

 

The Bridges of Madison County was notably popular when it was a new book. However, I’m aware that not everyone is a fan.

If you’re looking for highly stoked eroticism and high-rolling lives that throw off sparks when they touch, look elsewhere.

Frankly, for lots of tastes, here’s good advice: look elsewhere no matter what you’re looking for.

For me, Bridges documents the chance intersection of the putatively unremarkable lives of Francesca and Robert with all the heat and dazzle of slow-moving lava, without its destructive power. They come together, they permit each other to nourish their beautiful personae, and they generate a passion that consumes without burning.

Francesca and Robert come together too late in their lives, after unbreakable commitments have been made to other cherished persons who, regrettably, are not like themselves.

I am drawn to the unsounded depths of their love and their absolute, cascading, undeniable recognition of each other as the unforgettable objects of their burgeoning desire.

They understand that they must be content with the short lifetime of their dalliance. They honor their love by deeply understanding its nature, and by accepting the permanent separation that their unyielding integrity requires.

Robert whispers to Francesca: “…this kind of certainty comes only once…”

The Bridges of Madison County is a love song, a courtship, a delicate primer on yearning, a too brief opportunity to know how it feels to be in love like that.

Do yourself a favor, and give it a try.

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  A poet is a “maker”

…and it doesn’t have to rhyme…

click here

Book review. Copyright © Richard Carl Subber 2017 All rights reserved.

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

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