With the Old Breed…book review

With the Old Breed…book review

you can’t change your socks…

 

 

Book review:

With the Old Breed: At Peleliu and Okinawa

 

by Eugene B. Sledge (1923-2001)

New York: Oxford University Press, 1981

326 pages

 

Marine Cpl. Eugene B. Sledge (his Marine buddies called him “Sledgehammer”) knew there is no glory in combat. There is fear, comradeship, pain, duty, hunger, honesty, sadness, loyalty, and death.

With the Old Breed is a shockingly restrained and horribly candid account of Sledge’s experiences in the attacks on Peleliu and Okinawa by the 3rd Battalion, 5th Regiment, of the 1st Marine Division in the last year of World War II.

Read it, and you can mumble their prayers as you share the troubled joy of combat soldiers who survive the fighting in which their friends die.

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Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

In other words: Poems for your eyes and ears with 64 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Scent of a Woman (movie review)

Scent of a Woman (movie review)

rediscover reasons for living…

 

 

Scent of a Woman

 

If you think that all good movies have Super Bowl excitement, don’t bother watching Scent of a Woman (1992, rated R, 157 minutes).

This obviously many-splendored film has grit, gusto, a pretty good tango, a red jaguar with pedal to the metal, a man confronting the downside of his life, a young man struggling with right and wrong, and the mystical mix of truth, justice, and passion.

Army lieutenant colonel Frank Slade (Al Pacino, he won his only Oscar for Best Actor) rides the tiger of his past. He and Baird School student Charlie Simms (Chris O’Donnell) work through the highs and the lows of Slade’s blindness and Charlie’s rush to maturity as they learn about themselves and slowly learn to trust each other.

Pacino won the Oscar for his sensitive portrayal of Slade, who rediscovers reasons for living, his own humanity, his devotion to integrity, and his grandchildren. If you’re a grandparent, you’ll probably agree that the last 90 seconds of the film may not be the best moments, but they are the endearing gift of Scent of a Woman.

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Movie review. Copyright © Richard Carl Subber 2023 All rights reserved.

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

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Conspiracy…movie review

Conspiracy…movie review

…a perfection of evil…

 

 

Movie review:

Conspiracy

 

The Wannsee Conference in Hitler’s Germany, January 1942

Starring Kenneth Branagh, Stanley Tucci, Colin Firth (2001)

 

Here’s the short version: watching Conspiracy is like drinking molten lead.

Conspiracy is an almost flawless portrayal of naked evil being done by powerful men, each of whom has lost or abandoned his moral compass.

It is dry, withering, completely transparent, all too believable—not merely because we know it’s all true. We know that there are powerful men and women alive today who are willing to do blasphemously wrong things like killing 6 million Jews.

Conspiracy dramatizes the Wannsee Conference that first officially articulated the Final Solution for the Jews of Europe: the Holocaust.

Stanley Tucci as SS Major Adolph Eichmann, Kenneth Branagh as Hitler’s Chief of Security Reinhard Heydrich, Colin Firth as Dr. Wilhelm Stuckart (a lawyer who wrote the racist Nuremberg Laws), and 12 others show how it was probably done—almost without passion—around a long conference table in a manor house outside Berlin. One of the participants failed to destroy his copy of the minutes. This surviving document was used in the post-WWII Nuremberg Trials.

Conspiracy is frightening, horrifying, and disgusting. It is a perfection of the evil that men can do.

 

The antidote for watching it is simple: do a good thing every day.

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Movie review. Copyright © Richard Carl Subber 2023 All rights reserved.

 

Book review: The Comanche Empire

the other story of the American West…

by Pekka Hämäläinen

click here

Writing Rainbows: Poems for Grown-Ups with 59 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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The Self-Made Man in America (book review)

self-serving lies, and dreams…

 

 

Book review:

 

The Self-Made Man in America:

The Myth of Rags to Riches

 

by Irvin G. Wyllie (1920-1974)

New York, The Free Press, 1954

210 pages

 

The Self-Made Man in America is a historian’s delight.

Wyllie offers the multiple meanings of “the self-made man” throughout American history, connecting historical elements of the American dream and the self-serving promotion of the concept by titans of industry and their bankers.

There is a panoply of quotations from key decision-makers throughout the decades that aid the reader in understanding how Americans at all ranks in the socioeconomic spectrum advocated, criticized, and embodied the siren song of “the self-made man.”

To be sure, Wyllie plainly states his verdict: “Throughout all our history the self-made man was the exception not the rule…success has been for the few, not the many….Men who occupy the lowest places in our society have known the facts for a long time…but…men on the bottom need dreams.” (p. 174)

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Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

 

Book review:

Moral Tribes by Joshua Greene

he’s sincere, but off the mark…

click here

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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“The beginning is always today.” (quote, Mary Shelley)

“The beginning is always today.” (quote, Mary Shelley)

“The beginning is always today.”

 

Mary Wollstonecraft Shelley (1797-1851)

 

Today started when you woke up. Think about beginnings.

 

Thanks to my trusted advisor for this one.

Shelley wrote Frankenstein; or, The Modern Prometheus (1818), and by the way, if you’ve only watched the movie, you don’t know the Frankenstein story. Read the book.

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Copyright © Richard Carl Subber 2023 All rights reserved.

 

many waters: more poems with 53 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

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The Scarlet Letter, victim of Hollywood

The Scarlet Letter, victim of Hollywood

the movies ignore the real story…

 

 

Movie review:

The Scarlet Letter

 

by Nathaniel Hawthorne  (1804-1864)

Published 1850

 

I watched three films based on Nathaniel Hawthorne’s iconic story, The Scarlet Letter. My small sample (there are at least nine movies based on the story) confirms that Hollywood really can’t stand the story as Hawthorne wrote it.

Read my review of Hawthorne’s book, click here.

In 1934 Colleen Moore played Hester Prynne and Hardie Albright played Rev. Arthur Dimmesdale in the tale about Puritan condemnation of adultery and children born out of wedlock. Hester is sentenced to wear an embroidered scarlet letter “A” on her bosom, and Dimmesdale endlessly rationalizes his decision to conceal his role as the mysterious father of little Pearl. The movie reflects the production limitations and typical dramatic direction in the 1930s—there’s a lot of staring into the camera, and crowded action scenes.

Meg Foster played Hester and John Heard played Dimmesdale in the 1979 TV miniseries about The Scarlet Letter. There are recognizable scenes from the book. The script is nondescript. It’s a ponderous distillation of Hawthorne’s words.

The 1996 version with Demi Moore as Hester and Gary Oldman as Dimmesdale apparently is the latest in the unsatisfying series of film versions of The Scarlet Letter. It is an almost lurid mal-adaptation of the book. The hot scenes featuring Hester and Dimmesdale attracted to each other are a complete invention—Hawthorne eschews any explicit reference or description of physical intimacy between his principal characters. Demi and Gary get it on, but it ain’t Hawthorne.

In all three films, the role of little Pearl is deliberately underplayed. The child is a principal factor in the story—her feelings, her joie de vivre, her contemplations, her maturation are fully explored in the book, and ignored in the movies.

The mental and emotional quagmires that are explored and endured by Hester and Dimmesdale are generally ignored in the movies. None of the movies uses the ending that fulfills the book.

In short, in my mind, if you want to claim that you are familiar with the themes, plot, and denouement of The Scarlet Letter, you have to read the book.

All of the movies are scandalously thin and false charades of the powerful drama of Hawthorne’s story that was published very successfully in 1850.

If you think you remember reading it a long time ago, try it again.

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Movie review. Copyright © Richard Carl Subber 2022 All rights reserved.

 

Book review: Shantung Compound

They really  didn’t care much

        about each other…

by Langdon Gilkey

click here

My first name was rain: A dreamery of poems with 52 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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