Amusing Ourselves to Death (book review)

Amusing Ourselves to Death (book review)

television is entertainment at its worst

 

 

Book review: 

Amusing Ourselves to Death:

Public Discourse in the Age of Show Business

 

by Neil Postman (1931-2003)

New York: Elisabeth Sifton Books/Viking, 1985

184 pages

 

This is a rare treasure—a can’t-put-it-down kind of book.

I wish I’d read it 40 years ago.

Amusing Ourselves to Death is a 184-page drumbeat of insight and reality about the devastating impact of television on our culture and our prospects of living the good life.

Postman, a media theorist and cultural critic, says television “is a medium which presents information in a form that renders it simplistic, nonsubstantive, nonhistorical and noncontextual; that is to say, information packaged as entertainment.” (p. 141)

He wrote the book before the internet got really started, and before the enhanced horrors of social media like Facebook and Twitter and TikTok.

He continued to write about the failures of our educational enterprises and the negative impacts of technology on our culture.

Don’t let Amusing Ourselves to Death be the only Postman book you read in the near future.

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Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

In other words: Poems for your eyes and ears with 64 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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The Scarlet Letter, victim of Hollywood

The Scarlet Letter, victim of Hollywood

the movies ignore the real story…

 

 

Movie review:

The Scarlet Letter

 

by Nathaniel Hawthorne  (1804-1864)

Published 1850

 

I watched three films based on Nathaniel Hawthorne’s iconic story, The Scarlet Letter. My small sample (there are at least nine movies based on the story) confirms that Hollywood really can’t stand the story as Hawthorne wrote it.

Read my review of Hawthorne’s book, click here.

In 1934 Colleen Moore played Hester Prynne and Hardie Albright played Rev. Arthur Dimmesdale in the tale about Puritan condemnation of adultery and children born out of wedlock. Hester is sentenced to wear an embroidered scarlet letter “A” on her bosom, and Dimmesdale endlessly rationalizes his decision to conceal his role as the mysterious father of little Pearl. The movie reflects the production limitations and typical dramatic direction in the 1930s—there’s a lot of staring into the camera, and crowded action scenes.

Meg Foster played Hester and John Heard played Dimmesdale in the 1979 TV miniseries about The Scarlet Letter. There are recognizable scenes from the book. The script is nondescript. It’s a ponderous distillation of Hawthorne’s words.

The 1996 version with Demi Moore as Hester and Gary Oldman as Dimmesdale apparently is the latest in the unsatisfying series of film versions of The Scarlet Letter. It is an almost lurid mal-adaptation of the book. The hot scenes featuring Hester and Dimmesdale attracted to each other are a complete invention—Hawthorne eschews any explicit reference or description of physical intimacy between his principal characters. Demi and Gary get it on, but it ain’t Hawthorne.

In all three films, the role of little Pearl is deliberately underplayed. The child is a principal factor in the story—her feelings, her joie de vivre, her contemplations, her maturation are fully explored in the book, and ignored in the movies.

The mental and emotional quagmires that are explored and endured by Hester and Dimmesdale are generally ignored in the movies. None of the movies uses the ending that fulfills the book.

In short, in my mind, if you want to claim that you are familiar with the themes, plot, and denouement of The Scarlet Letter, you have to read the book.

All of the movies are scandalously thin and false charades of the powerful drama of Hawthorne’s story that was published very successfully in 1850.

If you think you remember reading it a long time ago, try it again.

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Movie review. Copyright © Richard Carl Subber 2022 All rights reserved.

 

Book review: Shantung Compound

They really  didn’t care much

        about each other…

by Langdon Gilkey

click here

My first name was rain: A dreamery of poems with 52 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

The Witches: Salem, 1692 (book review)

The Witches: Salem, 1692 (book review)

toil and trouble….and craziness

 

 

Book review:

The Witches: Salem, 1692

 

by Stacy Schiff  (b1961)

Little, Brown and Company, New York, 2015

498 pages

 

It may be that Stacy Schiff has neglected to include some fact or sentiment about the Salem witch trials, but I can’t imagine what it might be. The Witches is an expansive compendium of the whos and whats and whys and wherefores of this compelling—yet essentially impenetrable—story about a community gone crazy.

Maybe you had to be there to understand it.

It’s too easy to suggest that the McCarthy Communism hunting in 1954 is a modern analogy, but it won’t work. The whole dreadful McCarthy thing was a political football, approaching a sideshow even though it attracted the nominal attention of the nation and destroyed many lives.

The Salem witch trials (and the witch hunting that went on in neighboring towns) consumed the waking hours of all the townsfolk, who were deeply convinced that witches exist and that they were in league with satanic forces.

For my taste, Schiff tells too much of the story. I would have been content with a less detailed account. There is repetition that is dispensable.

For my taste, she struck a good balance between telling the story as it happened, and inviting the reader to suspect that the teenage girls were fooling all along, and that too many accusers had a personal reason to “get” the accused, and that too many religious and civic leaders who struggled unsuccessfully with their religious faith and the opposing impulses of their arguably decent selves had quickly figured out that the witch craze was a very nasty game.

You don’t need to read the whole book to figure out that there was some very destructive bogus stuff going on in the Massachusetts Bay Colony in 1692.

You don’t need to read the whole book to be convinced that some folks aren’t continuously motivated by a decent streak of good will and a desire to support communal well-being.

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Book review. Copyright © Richard Carl Subber 2022 All rights reserved.

 

My first name was rain: A dreamery of poems with 52 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

Old Friends (book review)

Old Friends (book review)

Learn to think about being old…

 

 

Book review:

Old Friends

 

by Tracy Kidder (b1945)

Boston, Houghton Mifflin Company, 1993

352 pages

 

Tracy Kidder is an old friend, and I welcome any opportunity to read something he wrote. There is vigor and bitter reality and calm truth and pulsing delight in his stories.

Whatever your age, try Old Friends. You’re going to be someone’s old friend, sooner or later. You can learn to think about how it’s going to be.

Like Kidder’s other books, Old Friends is in its own category. Nevertheless, it has themes you’ll find in his other books. It contains some kinds of the loneliness expressed in Strength in What Remains (2009), and it echoes some of the humanity that pervades Among Schoolchildren (1989).

You’ll be surprised as you get to know Lou and Joe and the others.

They’re like people you already know, and like real people you’re going to get to know.

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Book review. Copyright © Richard Carl Subber 2021 All rights reserved.

My first name was rain: A dreamery of poems with 52 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

*   *   *   *   *   *

How the Irish Became White (book review)

How the Irish Became White (book review)

…the Irish weren’t the only ones…

 

 

Book review:

How the Irish Became White

 

by Noel Ignatiev (1940-2019)

American author and historian

New York: Routledge, 1995

 

Ignatiev offers enough detail and context to satisfy historians of every stripe.

For the less ambitious reader, there may be a bit more than she cares to know in How the Irish Became White.

Of course, I certainly don’t presume to summarize the author’s careful exposition in 233 pages.

If you really want to know more about how non-black immigrants allowed and persuaded themselves to buy in to the systemic racism that flourished in America since the 17th century, dig in to How the Irish Became White.

One sure point is: don’t pick on the Irish exclusively. They certainly weren’t alone in their transgressions.

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Book review. Copyright © Richard Carl Subber 2021 All rights reserved.

Above all: Poems of dawn and more with 74 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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The Wind and the Lion (1975)

The Wind and the Lion (1975)

a first-class bad guy…

 

 

Movie review:

The Wind and the Lion (1975)

 

Candice Bergen as Mrs. Eden Pedecaris.

Sean Connery as Mulay Achmed Mohammed el-Raisuli, Lord of the Rif and Sultan to the Berbers.

In real life he was Mulai Ahmed er Raisuni (Raisuli) (1871-1925), a Sherif and Lord of the Rif in Morocco, a tribal leader and brigand, “the last of the Barbary pirates.”

The Wind and the Lion is a dramatic interpretation of a real incident in Morocco in 1904. The real Raisuli kidnapped an American, Ion “Jon” Hanford Perdicaris (1840-1925) and his stepson, and held the two for ransom. President Teddy Roosevelt sent U. S. marines to rescue the men. Ultimately, the government of Morocco paid the ransom and the men were released.

The movie is wonderfully dashing, and the brutal details are romantically minimized. The captive American, Candice Bergen, doesn’t quite fall in love with Sean Connery, but it seems to be a close call.

Connery, with all of his moustaches and flowing robes, is a first class bad-guy hero, and he has a good heart. He’s happy to get his money, but he’s sorry to say goodbye to Mrs. Pedecaris.

In the final scene, the Raisuli and his lieutenant, the Sherif of Wazan, are silhouetted on a high beach against the setting sun, and the Sherif plaintively declares “Great Raisuli, we have lost everything. All is drifting on the wind as you said. We have lost everything.”

Raisuli revives the heart throbs: “Sherif, is there not one thing in your life that is worth losing everything for?”

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Movie review. Copyright © Richard Carl Subber 2021 All rights reserved.

 

Book review: The Proud Tower

…a lot more than a history book…

by Barbara Tuchman

click here

many waters: more poems with 53 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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