American Character: A History of the Epic Struggle…

American Character: A History of the Epic Struggle…

…doing more good in America…

 

 

Book review:

American Character:

A History of the Epic Struggle

Between Individual Liberty and the Common Good

 

Colin Woodard (b1968)

Journalist

New York: Viking, 2016

308 pages

 

American Character is intuitive and informative analysis of what makes Americans tick, politically.

Woodard says we need to promote “fairness” in all its meanings if we want a shot at changing the success stories of Trump/laissez fair Republicans/Tea Party/the oligarchs. I reluctantly use the word “fairness” without any pretense of conveying the fullness of his meaning. It means a lot, in different ways—seriously, meaningfully, it’s different strokes for different folks.

I’m gonna read American Character again.

It’s easy to understand what Woodard is saying. He offers a sane and credible strategy for doing more good in America for all Americans.

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Book review. Copyright © Richard Carl Subber 2021 All rights reserved.

 

How does a poem end?

Finis,” my thoughts (my poem)

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Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: The Snow Goose

Book review: The Snow Goose

“ Philip, I love ‘ee ”

 

 

Book review:

The Snow Goose

 

by Paul Gallico (1897-1976)

Alfred A. Knopf, New York, 1960

58 pages

Paul Gallico Wikimedia

Paul Gallico (1897-1976)

Paul Gallico is an author I need to get to know better. The Snow Goose is my first attempt.

This justly famous short story is surprisingly simple in its construction and densely emotional in its impact. There are familiar plot elements: ugly old man meets beautiful young girl, and they develop a close relationship. In some ways one is moved to think of Silas Marner—there are both rich and rigid qualities in their love, never consummated, sharply constrained.

The snow goose imagery is pervasive. Gallico uses the obviously proper word pinion repeatedly and not always, perhaps, with the same definition in mind, but this is quibbling…despite Philip Rhayader’s intimate knowledge of the birds he paints, there is no compelling total image of the bird. What does a snow goose really look like?

The primitive eroticism of Rhayader’s relationship with the girl, Fritha, is bursting out of the story repeatedly before the final scenes. Think of the sensual heat of Girl With A Pearl Earring, deeply heartfelt and almost completely unexpressed. Vermeer painted the girl from life; Rhayader painted his girl from memory, a symbolic reflection of his restrained character and the repressed relationship.

The story line of Snow Goose is mostly mundane, but Gallico easily sustains a dramatic tension, although the Dunkirk evacuation scenes are almost a charade with the blunt Cockney accents dominating the dialog.

Snow Goose is eminently poetic—the ending that every reader can anticipate occurs with realistic sadness and realistic revelation. Fritha feels the words in her heart: “Philip, I love ‘ee.” 

The long-patient reader is finally released to wordless exultation.

 

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I admit the abundant pleasures of re-reading The Snow Goose in February 2021. I happily engaged more fully with the character of the young girl Fritha, and the pathos of her isolation without parents in a hard community that took no notice of her friendship with the lonely artist. Fritha survives, and shares her memories and her private, splendid isolation with the beautiful bird.

———-

Among other treatments, this beautiful short story was transformed to film (television) in 1971 by the BBC and shown on the Hallmark Hall of Fame, with Richard Harris as Rhayader and Jenny Agutter as Fritha. See it in five installments on YouTube here.

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Book review. Copyright © Richard Carl Subber 2021 All rights reserved.

Book review: The Chosen

Life: exuberant, and otherwise…

by Chaim Potok

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Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Book review: Girl with a Pearl Earring

Book review: Girl with a Pearl Earring

…a little more time in childhood…

 

 

Book review:

     Girl With A Pearl Earring

 

by Tracy Chevalier

New York: PLUME, The Penguin Group, 1999

 

Girl with a Pearl Earring is a slim offering of compelling historical fiction about Johannes Vermeer’s enigmatic portrait of an unknown young girl, circa 1665.

It’s a breathtaking, tantalizing love story…tantalizing because Vermeer and the maid, Griet, almost embrace their passion, each stepping over the line without transgression, but not without hurt.

Vermeer, the worldly one, the master in a house filled with the baleful women of his family, tempted to the edge of the precipice…

Griet, the child innocent, heedless of her woman’s heat, trespassing unaware and ever nearer to the mystery that she barely understands in the beginning…

She becomes the girl with a pearl earring. She feels the lush weight of the earring, his fingertip sears her skin, she inclines toward his touch, trembles with a disembodied, virginal start of pain…

She sits for him.

He trembles—a long moment—with the rush of desire, masters it, and steps back to his easel, granting her a little more time in the childhood she is leaving behind, giving her a peace that will become a bereavement, a keening memory…

They look at each other, mute, apart, yet bound, in flagrante delicto, withering, without joy…

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(Freebie: the 2003 film, Girl with a Pearl Earring, is a slam dunk clone of Tracy Chevalier’s book. Colin Firth (Vermeer) and Scarlett Johansson (Griet) stepped off the pages of the book, onto the movie set. They make you wish the ending could be different.)

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

Book review: The Bridges of Madison County

If you’re looking for

highly stoked eroticism

and high-rolling lives

that throw off sparks when they touch,

look elsewhere.

by Robert Waller

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In other words: Poems for your eyes and ears with 64 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
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Book review: Thieves in the Night

Book review: Thieves in the Night

the “milliohnim” and “the promised land” 

 

 

Book review:

Thieves in the Night:

   Chronicle of an Experiment

 

by Arthur Koestler (1905-1983)

The Macmillan Company, New York, 1946

357 pages

 

Koestler, a Hungarian-British writer and journalist, more famously wrote Darkness at Noon, a critique of Communism and totalitarianism.

Thieves in the Night, written later, is a gently powerful story. Koestler recounts the travails and limited joys of only a few of the “milliohnim” who sought a promised land. His characters are Jews, creating new settlements on purchased Arab land in the Holy Land, prior to World War II.

Men and women who create settlements live a tough life. A reader like me learns almost too much about the vagaries and drudgery of deliberately, fully conscious communal life on Ezra’s Tower, an isolated hilltop in Galilee. First, establish the security perimeter, then erect the watchtower, build the children’s dorm, construct the cowshed, set up the showers…in that order. The dining hall, the sleeping huts for the men and women, and the lavatories are to be built later.

The Mukhtar and his clan in the nearby Arab village do not welcome the Hebrew newcomers. Soon, the leader of the village delegation gives morbid advice to the settlers: “You young fools and children of death, you don’t know what may happen to you.” Bauman responds curtly: “We are prepared.” The Jewish settlement at Ezra’s Tower is not a resort.

The story of the settlers’ life at Ezra’s Tower is mostly drab. Koestler’s exploration of their mindset, their politics, their philosophy, and their religion all swirled together is stunning. Their aspirations and their misgivings, and their palpable legacy of homelessness and their transforming experiences, are irresistible.

Thieves in the Night is an adventure for the open and inquiring mind. Occasional sympathetic despair is a perfectly understandable reaction.

After you read this novel, look around you and ask yourself if you see things a bit differently. Ask yourself if you like your new conception of “a thief in the night.”

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Book review. Copyright © Richard Carl Subber 2020 All rights reserved.

Old Friends (book review)  

Tracy Kidder tells much truth about old age…

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Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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We Were Soldiers Once…and Young

We Were Soldiers Once…and Young

…the last battle never comes…

 

 

Book review:

We Were Soldiers Once…and Young

 

Lt. Gen. Harold G. Moore (ret.) and Joseph L. Galloway

New York: Random House, 1992

412 pages

 

Like Moore and Galloway, I salute the brave American and North Vietnamese soldiers who fought and died in the Ia Drang Valley in November 1965 in the first major combat action of the War in Vietnam.

We Were Soldiers Once…and Young is a bloody testament to the grinding horror of war. It’s too much to read all at once. It has too much death.

A North Vietnamese commander who was on the ground in the valley recalled, many years after the war, that his guiding principle had been “win the first battle.”

You and I know that he forgot to mention that no one knows how to win the last battle and end all of it.

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Book review. Copyright © Richard Carl Subber 2020 All rights reserved.

A Farewell to Arms (book review)

classic Ernest Hemingway

    with relentlessly realistic dialogue…

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As with another eye: Poems of exactitude with 55 free verse and haiku poems,
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An Empire on the Edge (book review)

An Empire on the Edge (book review)

Book review:

An Empire on the Edge:

How Britain Came to Fight America

 

by Nick Bunker

 

Here’s the short version of Nick Bunker’s thesis:

King George and his government

     let the North American colonies slip from their grasp.

 

A newcomer to the history of the American Revolution might think that this book is a cockeyed way to learn about the “shot heard ‘round the world” and the consequences of the shooting at Lexington and Concord on April 19, 1775.

An informed student of the Revolutionary War probably will find much new material in Bunker’s relentlessly detailed An Empire on the Edge: How Britain Came to Fight America.

On our side of the pond, we don’t have much opportunity to consider the war or the revolution from the British point of view.

Bunker offers devastating detail about the ill-informed, patronizing, self-serving, doctrinaire, and sometimes feckless actions of Lord North and the British government in the years that led to the sanguinary clash of British regulars and American farmers-militiamen on the road from Concord, through Lexington, to Boston on “that famous day and year.”

An Empire on the Edge offers extensive documentation confirming that the British leaders were largely ignorant of the scope and depth of colonial antipathy toward the various punitive measures that Britain sought to impose in North America, as early as 1765 (the Stamp Act) and continuing to the final, ill-fated steps to chastise the city of Boston after the notorious Tea Party in late 1773.

Bunker describes the half-cocked military moves by Lord North and his ministers in the years leading up to the disastrous outing to Lexington-Concord. The king and his government were not prepared to wage war successfully in North America, partly because they waited too long to believe that the colonists actually would fight, and partly because they disdained the colonials’ fighting capacity, and partly because they put higher priority on their Caribbean sugar colonies, and partly because they were pre-occupied with the military threat posed by France and various European intrigues.

lexington-180975_640Bunker doesn’t speculate on a question that occurs to me: after that first shot was fired at Lexington, did the British really commit themselves to winning the war?

The king and his government made the commitment to fight. They did not, however, at any time before or during the war, commit all the king’s horses and all the king’s men to the military campaign to regain dominion in North America. As the fighting began, a British victory was not immediately feasible. Perhaps it did not become feasible.

Bunker’s analysis of the planning and wrangling in Lord North’s war room suggests that the British wanted to win, but never pushed the right strategic buttons to bring victory within their grasp.

 

Book review. Copyright © Richard Carl Subber 2016 All rights reserved.

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Book review: An Empire Divided

King George and his ministers

wanted the Caribbean sugar islands

more than they wanted the 13 colonies…

by Andrew Jackson O’Shaughnessy

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Seeing far: Selected poems with 47 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

 

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