The Self-Made Man in America (book review)

self-serving lies, and dreams…

 

 

Book review:

 

The Self-Made Man in America:

The Myth of Rags to Riches

 

by Irvin G. Wyllie (1920-1974)

New York, The Free Press, 1954

210 pages

 

The Self-Made Man in America is a historian’s delight.

Wyllie offers the multiple meanings of “the self-made man” throughout American history, connecting historical elements of the American dream and the self-serving promotion of the concept by titans of industry and their bankers.

There is a panoply of quotations from key decision-makers throughout the decades that aid the reader in understanding how Americans at all ranks in the socioeconomic spectrum advocated, criticized, and embodied the siren song of “the self-made man.”

To be sure, Wyllie plainly states his verdict: “Throughout all our history the self-made man was the exception not the rule…success has been for the few, not the many….Men who occupy the lowest places in our society have known the facts for a long time…but…men on the bottom need dreams.” (p. 174)

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Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

 

Book review:

Moral Tribes by Joshua Greene

he’s sincere, but off the mark…

click here

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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1491 by Charles Mann (book review)

1491 by Charles Mann (book review)

guns and germs…

 

 

Book review:

1491:

New Revelations of the Americas Before Columbus

 

by Charles Mann

New York: Vintage Books, 2011

 

1491 offers everything you never knew about civilized people in the Americas before the Europeans arrived and killed most of them (OK, many died in battle, but it was European diseases, mostly). Maybe close to 100 million “native” people died within 100 years or so of the “discovery” by Columbus…but hold on, this book is not about Wounded Knee-type criticism or ex post facto self-flagellation.

In 1491, Mann beautifully describes the marvelous sophistication of cultures, cities, agriculture, arts, and science that blossomed in North America, Central America, and South America thousands of years ago, in many cases predating achievements and growth and civilization in Europe.

Yes, the Incas never used the wheel except for children’s toys.

Yes, the Mississippian city of Cahokia was a bustling port and a trading center with population equal to Paris in France—and that was 500 years before Columbus sailed.

Yes, the Olmec culture in what is now Mexico invented the zero whole centuries before mathematicians in India did the same.

My recollection of schoolboy learning about the history of the Americas is that the dates and events were tied to discovery and conquest and colonization by Europeans. The implication was that, before the white men with guns, germs and steel arrived, nothing much was going on in whole continents characterized more by “virgin land” and “endless wilderness” than by people who had agriculture, city life, art, trade, commerce, religion, science, kings, and philosophers.

Mann offers 1491: New Revelations of the Americas Before Columbus. For me, the joy of reading this book is learning about the multiplicity of cultures that flourished in the Americas, and learning how they tamed and managed and very greenly conserved their environment…and for me, the sad revelation of this book is understanding that the peoples of the Americas were human beings whose achievements were noble and notable, and yet, lamentably, their cultural legacies are largely lost and the losses are barely mourned.

In 1533 Pizarro and his conquistadors at Cuzco precipitated the decline of the 300-year-old Inca empire in Peru. Fifty years later, the Spanish colonial administrators in Peru ordered the burning of all the Incan “khipu” knotted string records because they were “idolatrous objects.” Khipu were the Incas’ only form of writing. The smoke from the burning of their books gets in your eyes, forever and ever.

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Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

 

Book review: The Sea Runners

…it informs, it does not soar…

by Ivan Doig

click here

Writing Rainbows: Poems for Grown-Ups with 59 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Go Down Together…Bonnie and Clyde (book review)

Go Down Together…Bonnie and Clyde (book review)

they weren’t heroic…

 

 

Book review:

Go Down Together:

The True, Untold Story of Bonnie and Clyde

 

by Jeff Guinn (b1951)

New York: Simon and Schuster, 2009

467 pages

 

Newspaper coverage in the early 1930s turned Bonnie Parker and Clyde Barrow into nationwide celebrities. Movies and books have perpetuated the carelessly positive news coverage, and the often fictional heroic antics of the crime duo.

The matter-of-fact treatment in Go Down Together makes the unvarnished reality more clear: Bonnie and Clyde were wacky, violent, and vicious criminals who killed 13 people and spent their 21-month crime spree on the run, mostly living “…the mundane, routine Barrow Gang misery of camping in cars and dining on cans of cold beans.”

They were killed in an ambush on May 23, 1934, in Louisiana. Several officers of the law fired about 160 bullets at them in less than 20 seconds—neither Bonnie nor Clyde fired a single shot.

Nothing about Bonnie and Clyde makes a pretty picture.

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Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Dead Wake: The Last Crossing of the Lusitania (book review)

Dead Wake: The Last Crossing of the Lusitania (book review)

engrossing, but not Larson’s best…

 

 

Book review:

Dead Wake: The Last Crossing of the Lusitania

 

by Erik Larson (b1954) 

Crown Publishers, New York, 2015

430 pages

 

I’m a fan of Erik Larson, starting with The Devil in the White City. Dead Wake offers a similar reading experience in Larson’s “no frippery” prose, and with a consistent tension that makes it a page turner.

I confess that it’s hard to avoid the somewhat deadening spoiler in this story: from Page 1, we know how it’s going to end. Torpedoed by Germany’s U-20, the Lusitania went down in about 18 minutes. Larson’s approach is exclusively chronological; it’s not a bad thing, but I found myself almost thinking out loud—“let’s get on with it”—as I navigated through the certainly more than adequate number of anecdotal scenes involving the ill-fated passengers and their clothing/meals/flirtations/premonitions/self-assurances…

Full disclosure: to the end, I was rooting for passenger Theodate Pope to get some love in her life. On the other hand, I now know far more than I care to know about President Wilson’s mushy courting of Edith Galt (who became his second wife).

The thing is, Larson tells a great yarn here but he doesn’t invite the reader to grapple with it. It falls short of shattering, consequential drama. The sociable elements—the almost chatty context—of much of his tale seem to displace full engagement with the terror of the event, and the outcomes that it hastened.

Larson tries to invest this story with solemnity, respect, and understanding.

Dead Wake is a dutiful—indeed, engrossing—account, but it doesn’t quite rise to the occasion.

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Book review. Copyright © Richard Carl Subber 2023 All rights reserved.

 

Play review: A Doll’s House

Henrik Ibsen’s classic on abuse…

click here

As with another eye: Poems of exactitude with 55 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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“The beginning is always today.” (quote, Mary Shelley)

“The beginning is always today.” (quote, Mary Shelley)

“The beginning is always today.”

 

Mary Wollstonecraft Shelley (1797-1851)

 

Today started when you woke up. Think about beginnings.

 

Thanks to my trusted advisor for this one.

Shelley wrote Frankenstein; or, The Modern Prometheus (1818), and by the way, if you’ve only watched the movie, you don’t know the Frankenstein story. Read the book.

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Copyright © Richard Carl Subber 2023 All rights reserved.

 

many waters: more poems with 53 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

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The Scarlet Letter, victim of Hollywood

The Scarlet Letter, victim of Hollywood

the movies ignore the real story…

 

 

Movie review:

The Scarlet Letter

 

by Nathaniel Hawthorne  (1804-1864)

Published 1850

 

I watched three films based on Nathaniel Hawthorne’s iconic story, The Scarlet Letter. My small sample (there are at least nine movies based on the story) confirms that Hollywood really can’t stand the story as Hawthorne wrote it.

Read my review of Hawthorne’s book, click here.

In 1934 Colleen Moore played Hester Prynne and Hardie Albright played Rev. Arthur Dimmesdale in the tale about Puritan condemnation of adultery and children born out of wedlock. Hester is sentenced to wear an embroidered scarlet letter “A” on her bosom, and Dimmesdale endlessly rationalizes his decision to conceal his role as the mysterious father of little Pearl. The movie reflects the production limitations and typical dramatic direction in the 1930s—there’s a lot of staring into the camera, and crowded action scenes.

Meg Foster played Hester and John Heard played Dimmesdale in the 1979 TV miniseries about The Scarlet Letter. There are recognizable scenes from the book. The script is nondescript. It’s a ponderous distillation of Hawthorne’s words.

The 1996 version with Demi Moore as Hester and Gary Oldman as Dimmesdale apparently is the latest in the unsatisfying series of film versions of The Scarlet Letter. It is an almost lurid mal-adaptation of the book. The hot scenes featuring Hester and Dimmesdale attracted to each other are a complete invention—Hawthorne eschews any explicit reference or description of physical intimacy between his principal characters. Demi and Gary get it on, but it ain’t Hawthorne.

In all three films, the role of little Pearl is deliberately underplayed. The child is a principal factor in the story—her feelings, her joie de vivre, her contemplations, her maturation are fully explored in the book, and ignored in the movies.

The mental and emotional quagmires that are explored and endured by Hester and Dimmesdale are generally ignored in the movies. None of the movies uses the ending that fulfills the book.

In short, in my mind, if you want to claim that you are familiar with the themes, plot, and denouement of The Scarlet Letter, you have to read the book.

All of the movies are scandalously thin and false charades of the powerful drama of Hawthorne’s story that was published very successfully in 1850.

If you think you remember reading it a long time ago, try it again.

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Movie review. Copyright © Richard Carl Subber 2022 All rights reserved.

 

Book review: Shantung Compound

They really  didn’t care much

        about each other…

by Langdon Gilkey

click here

My first name was rain: A dreamery of poems with 52 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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