Book review: Sketches by Boz

Book review: Sketches by Boz

The buzz about Boz!

 

Of course, they don’t write ‘em like this anymore.

Hooray for Charles Dickens (1812-1870). I’m talking about Sketches by Boz, his first book published in 1836.

I’m talking not only about the obvious point (Dickens has been dead these many years), but also about my understanding of the palpably inimitable Dickensian style.

Dickens does not fail to offer, time after time after time, character portraits that spring to life as you turn the pages—he sketches his characters with disinterested honesty, stout-hearted realism, generous indulgence, often a touch of whimsy…

 A case in point: “The Four Sisters,” who inhabit No. 25 Gordon Place in Sketches by Boz. In his brief (five pages) exposition of these cloistered ladies, Dickens ventures to create four personae that are not, will not, cannot be demeaned as a stereotype.

The Miss Willises—the master doesn’t trouble himself about not calling them the Misses Willis—are a scream, in a fastidiously literary kind of way.

Here’s a taste:

“The house was the perfection of neatness—so were the four Miss Willises. Everything was formal, stiff, and cold—so were the four Miss Willises. Not a single chair of the whole set was ever seen out of its place—not a single Miss Willis of the whole four was ever seen out of hers. There they always sat, in the same places, doing precisely the same things at the same hour…They seemed to have no separate existence, but to have made up their minds just to winter through life together…The eldest Miss Willis grew bilious—the four Miss Willises grew bilious immediately. The eldest Miss Willis grew ill-tempered and religious—the four Miss Willises were ill-tempered and religious directly. Whatever the eldest did, the others did, and whatever anybody else did, they all disapproved of…”

I think this passage, like so many scenes in Dickens, is a singularity.

Re-reading Dickens is a singular treat for me.

 

You’re right, this is not quite a book review. I have a love affair with words, the carefully chosen words, words that express in exceptional ways the boundless variety of our thoughts, experiences, and emotions. I think a lot about life, the human condition, loving relationships with others, and the many levels of beauty, serenity, and delight in our natural environment. Reading the pithy words of real wordsmiths is always a learning opportunity.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

Book review: The Blithedale Romance

by Nathaniel Hawthorne, not his best…

click here

Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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Review: The Iceman Cometh by Eugene O’Neill

Review: The Iceman Cometh by Eugene O’Neill

A slow eruption of despair…

 

Review:

The Iceman Cometh

A play by Eugene O’Neill (1888-1953)

Written in 1939, first performance in 1946

 

Stamina is one thing you need to load up on so you can read or watch The Iceman Cometh.

Pathos, not so much. Your usual willingness to embrace pathos will be fully engaged, because Eugene O’Neill boiled this play in pathos.

The short version:

A bunch of broke-down drunks in a 1912 Greenwich Village bar sprawl in the chairs, mutually reinforcing their relentless pursuit of a maundering besotted state that creates the milieu for exercising their pipe dreams.

When their hero, the traveling salesman they call Hickey, tries to talk them into exorcizing their pipe dreams, they oh so tentatively agree…but they fail in oh so predictable ways.

In the final scene, Larry—forlorn, a lapsed anarchist—mutters “Life is too much for me, I’ll be a weak fool, looking with pity at the two sides of everything ‘til the day I die.”

That’s really The Iceman Cometh, in simplest language. It distinctly examines only one side of everything. The play makes no pretense about having redeeming qualities. It’s a slow eruption of despair. It’s a slow walk through the dark side. There is no exit except death’s door. I was glad, at the end, when I could stop watching it.

Early in his career, Marlon Brando turned down an offer to play a key role in Iceman, saying that O’Neill’s work was “ineptly written and poorly constructed.” To each his own.

I think The Iceman Cometh is a masterpiece of truth-telling. He tells some truths about life that are all too real for some people, and all too horrid contingencies for the rest.

I imagine that watching it is a lot less terrifying than living it.

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Copyright © Richard Carl Subber 2017 All rights reserved.

In other words: Poems for your eyes and ears with 64 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

Book review:

Shakespeare: The World as Stage

The Bard was the lucky one…

click here

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Book review: How to Read a Poem

Book review: How to Read a Poem

Poetry is…wait for it…

 

 

Book review:

How to Read a Poem

  and Fall in Love with Poetry

 

by Edward Hirsch

New York: A DoubleTakeBook, Harcourt Brace and Co., 1999

354 pages

 

How to Read a Poem is a many-splendored reference work for poets.

Try to forget that Hirsch is a bit lazy and ends up saying that poetry is everything.

Many of his short essays are luscious.

If you’re interested, you can learn some good stuff here.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

 

 

Book review: Shakespeare’s Wife

Germaine Greer went overboard a bit…

click here

Above all: Poems of dawn and more with 73 free verse poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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“Fishering,” by Brian Doyle

“Fishering,” by Brian Doyle

“…I think maybe there is much…

 

 

The art of Brian Doyle

 

Brian Doyle (1956-2017) had the gift.

“Fishering” is an obscure, potent piece from his pen that gives me a double whammy: something like a child’s innocent joy of discovery, and something like the experienced master’s startled awareness of a new way of understanding…

Doyle, almost tenderly, pulls back the curtain on a scene of brutal splendor, of nature red in tooth and claw, of the mysterious reality of survival that we humans rarely face, of the beauty of power that does violence without evil in an unresisted cycle of life and death:

 

“I think maybe there is much

where we think there is nothing.”

 

Brian Doyle

He was an author and editor of Portland Magazine at the University of Portland

from “Fishering,” in the March 6, 2006, issue of High Country News

 

Doyle’s story just draws in the horizons until I am in a small space, contemplating a feat of nature that is alien, but beautiful…I guess I hope I never see a ferocious fisher face to face, I’m not too sure I could calmly sit down and watch it as Brian did, but  the monumental fleeting truth is that I wish I could do what he did and see the thing, out there, and have a wonderful, fearful, essential moment of contact to remember…I want to try to be open to the moments in life when there can be much, instead of nothing…

For your delectation, read this excerpt of:

 

“Fishering” by Brian Doyle

 

“In the woods here in Oregon there is a creature that eats squirrels like candy, can kill a pursuing dog in less than a second, and is in the habit of deftly flipping over porcupines and scooping out the meat as if the prickle-pig were merely a huge and startled breakfast melon.

“This riveting creature is the fisher, a member of the mustelid family that includes weasels, otter, mink, badger, ferrets, marten, and — at the biggest and most ferocious end of the family — wolverine…

“…Suffice it to say that I have been much graced in these woods, but to see a fisher was not a gift I expected. Yet recently I found loose quills on a path, and then the late owner of the quills, with his or her conqueror atop the carcass staring at me.

“I do not know if the fisher had ever seen a human being before. It evinced none of the usual sensible caution of the wild creature confronted with homo violencia, and it showed no inclination whatsoever to retreat from its prize. We stared at each other for a long moment and then I sat down, thinking that a reduction of my height and a gesture of repose might send the signal that I was not dangerous, and had no particular interest in porcupine meat. Plus, I’d remembered that a fisher can slash a throat in less than a second.

“Long minutes passed. The fisher fed, cautiously. I heard thrushes and wrens. I made no photographs or recordings, and when the fisher decided to evanesce I did not take casts of its tracks, or claim the former porcupine as evidence of fisherness. I just watched and listened and now I tell you. I don’t have any heavy message to share. I was only a witness: Where there are no fishers, there was a fisher. It was a stunning creature, alert, attentive, accomplished, unafraid. I think maybe there is much where we think there is nothing. Where there are no fishers, there was a fisher. Remember that.”

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Copyright © Richard Carl Subber 2018 All rights reserved.

In other words: Poems for your eyes and ears with 64 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

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The Black Canyon of the Gunnison

“…high above that wild width…”

(my poem)

click here

 

 

For a change of pace,

read this book review

of one woman’s desperate childhood,

The Homeplace by Marilyn Nelson

click here

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Book review: Who Built America?

Book review: Who Built America?

…men who brought

    their own shovels to work…

 

 

Book review:

Who Built America?

Working People

   and the Nation’s Economy,

   Politics, Culture, and Society,

   Vol. 1 To 1877

 

by Christopher Clark and Nancy A. Hewitt

New York: Worth Publishers, 2000

721 pages, with a substantial Appendix and index

 

Who Built America? is a comprehensive, widely sourced reference work that tackles the story of the actual building of America and our cities, commerce/industries, and infrastructures.

Clark and Hewitt give full respect to the groups of people who labored to do so: native Americans, women and children, minorities, and immigrants are fully credited.

I think that a useful feature is the summary chronology and suggested complementary readings at the end of each chapter.

Who Built America? is a go-to reference for any serious student of American history.

Volume 2, covering the Reconstruction through the end of the 20th century, is an equally appealing component of this series published by the American Social History Project, City University of New York.

This 2000 edition of Who Built America? was written by Christopher Clark and Nancy A. Hewitt, based on the original edition written by Levine, Brier, Brundage, Countryman, Fennel, and Rediker.

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Book review. Copyright © Richard Carl Subber 2018 All rights reserved.

 

 

Book review: Forced Founders

by Woody Holton

The so-called “Founding Fathers”

weren’t the only ones

who helped to shape our independence…

click here

Writing Rainbows: Poems for Grown-Ups with 59 free verse and haiku poems,
and the rest of my poetry books are for sale on Amazon (paperback and Kindle)
and free in Kindle Unlimited, search Amazon for “Richard Carl Subber”

 

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